Authors, Irish -- 19th century -- Biography; Wilde, Oscar, 1854-1900
epigrams were doubtless clever, for next to pretending to be drunk,
pretending to be mad was the most difficult (applause). The process
was to turn a proverb upside down, and there was the epigram. Then
Aubrey Beardsley's figures, if they showed anything, showed
extraordinary development; they certainly were not delicate; in
fact, he should call them distinctly indelicate. For one thing,
such creatures never existed, and it was a species of art that was
absolutely imbecile. Oscar Wilde, though, had said that until we
see things as they are not we never really live. But all he could
say was that he hoped he should never live (applause). It was
really not art at all, for art was nearly allied to nature,
although Oscar Wilde said that the only connecting link was a
really well-made buttonhole. That sort of thing was the art of
being brilliantly absurd (applause). It was insignificant to lay
claim to manners on the ground of personal appearance; such were
not manners but mannerisms. Aubrey Beardsley's figures were but a
mannerism of this sort (applause). A development must be new and
permanent, and the pictures referred to were not new, for similar
ones could be found on the old Egyptian monuments (applause). This
cult were not even original individually, for where one led all the
rest followed. Oscar Wilde talked about a purple sin: the others
did the same. By-the-by, that remark was not original, for scarlet
sins had been mentioned in very early days; it was indeed all of it
but a resuscitation of what was old and had been long left behind
by the rest of the world (applause). The movement was not
permanent, as might be seen by the æsthetic craze of fifteen years
ago. Velvet coats and peacock feathers were dying out, and soon it
would not be correct to wear the hair long (laughter). It was but a
phase; if everyone were to talk in epigrams it would be
distinguished to talk sense. He was in a difficulty, for if he got
a large majority against the motion, to be in a minority was just
what would please the æsthetes most. Therefore, let as few vote
against as possible (laughter). To be serious, he considered that
true art should give pleasure and comfort to people who were in
trouble or down in the world, and who, he asked, would be helped by
the art of either Aubrey Beardsley or Oscar Wilde? (applause). In
conclusion, he would ask the House to give the movers the
satisfaction of having as few as possible voting for them
(applause)."
"_Ars longa est!_ All know what once that meant;
But cranks corrupt so sickeningly have shindied
About _their_ ART of late, 'tis evident
The rendering now must be, 'Art is long-winded!'
For _Vita brevis_,--all true men must hope,
Brief life for such base Art--and a short rope!"
Public-domain text, read in full here on John Shaqi.
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