Authors, Irish -- 19th century -- Biography; Wilde, Oscar, 1854-1900
although it may well be doubted whether at any time its prominent
members could not have been counted on the fingers of one hand;
but, quite apart from any fixed organisation or body such as may or
may not exist in Paris, there has lately shown itself in London a
contemporary bias of thought, an affected manner of expression and
style, and a few loudly vaunted ideas which have had a limited but
evil influence on all the better tendencies of art and literature.
Of these the prisoner of Saturday constituted himself a
representative. He set an example, so far as in him lay, to the
weaker and the younger brethren; and, just because he possessed
considerable intellectual powers and unbounded assurance, his
fugitive success served to dazzle and bewilder those who had
neither experience nor knowledge of the principles which he
travestied, or of that true temple of art of which he was so
unworthy an acolyte. Let us hope that his removal will serve to
clear the poisoned air, and make it cleaner and purer for all
healthy and unvitiated lungs."
It was the duty of a great journal to say what it said. Yet,
nevertheless, a certain wave of sorrow seemed to pass over the press
generally, and hostile comment on the _débâcle_ was not unmingled with
regret for the unhappy man himself. The doctrines he was supposed to
have preached to the world at large were sternly denied and thundered
against. His own fate was, in the majority of cases, treated with a
sorrowful regret.
Yet, nobody realised at all that in condemning what was supposed to be
the teaching and doctrine of Oscar Wilde, they were condemning merely
supposititious deduction from his manner of life, which could not be in
the least substantiated by any single line he had ever written.
All through this first part of the book I have insisted upon the fact
that the man's life and the man's work should not be regarded as
identical. To-day, as I write, that attitude has taken complete
possession of the public mind. As was said in the first few pages of the
memoir, the whole of Europe is taking a sympathetic and intelligent
interest in the supreme art of the genius who produced so many beautiful
things. The public seems to have learned its lesson at last, but at the
beginning of what I have called the third period it was unable to
differentiate between the criminal, part of whose life was shameful, and
the artist, all of whose works were pure, stimulating, and splendid. I
quote but a few words from the printed comments upon Wilde's downfall.
They are taken from the well-known society paper _Truth_, and the writer
seems to strike only a note of wonder and amazement. The horrible fact
of Wilde's conviction had startled England, had startled the writer, and
a writer by no means unsympathetic in effect, into the following
paragraphs:--
Public-domain text, read in full here on John Shaqi.
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