Authors, Irish -- 19th century -- Biography; Wilde, Oscar, 1854-1900
"Phrasemakers are perpetually repeating the twaddle, that it is a
proof of honourable independence to follow one's own taste without
being bound down to the regulation costume of the Philistine
cattle, and to choose for clothes the colours, materials and cut
which appear beautiful to oneself, no matter how much they may
differ from the fashion of the day. The answer to this cackle
should be that it is above all a sign of anti-social ego-mania to
irritate the majority unnecessarily, only to gratify vanity, or an
æsthetical instinct of small importance and easy to control--such
as is always done when, either by word or deed, a man places
himself in opposition to this majority. He is obliged to repress
many manifestations of opinions and desires out of regard for his
fellow-creatures; to make him understand this is the aim of
education, and he who has not learnt to impose some restraint upon
himself in order not to shock others is called by malicious
Philistines, not an Æsthete, but a blackguard.
"It may become a duty to combat the vulgar herd in the cause of
truth and knowledge; but to a serious man this duty will always be
felt as a painful one. He will never fulfil it with a light heart,
and he will examine strictly and cautiously if it be really a high
and imperative law which forces him to be disagreeable to the
majority of his fellow-creatures. Such an action is, in the eyes of
a moral and sane man, a kind of martyrdom for a conviction, to
carry out which constitutes a vital necessity; it is a form, and
not an easy form, of self-sacrifice, for it means the renunciation
of the joy which the consciousness of sympathy with one's
fellow-creatures gives, and it exacts the painful overthrow of
social instincts, which, in truth, do not exist in deranged
ego-maniacs, but are very strong in the normal man.
"The predilection for strange costume is a pathological aberration
of a racial instinct. The adornment of the exterior has its origin
in the strong desire to be admired by others--primarily by the
opposite sex--to be recognised by them as especially well shaped,
handsome, youthful, or rich and powerful, or as pre-eminent
through rank or merit. It is practised, then, with the object of
producing a favourable impression on others, and is a result of
thought about others, of preoccupation with the race. If, now, this
adornment be, not through misjudgment but purposely, of a character
to cause irritation to others, or lend itself to ridicule--in other
words, if it excites disapproval instead of approbation--it then
runs exactly counter to the object of the art of dress, and evinces
a perversion of the instinct of vanity.
Public-domain text, read in full here on John Shaqi.
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