Wilde, Oscar, 1854-1900 -- Criticism and interpretation
"I never object," said Coleridge, "to a certain degree of
disputatiousness in a young man from the age of seventeen to that of
four or five and twenty, provided I find him always arguing on one side
of the question." Coleridge would seem to reserve legitimate dispute for
the very young, did we not remember that academic education began and
ended earlier in his day. Boys went to college at seventeen. I do not
think he would have objected to the disputatiousness of Wilde, although
he was well over twenty-five before he left the noisy field of argument,
if, indeed, he left it at all. Wilde, at least, would have pleased
Coleridge by arguing always on one side of the question, though it is
possible that Coleridge would not have recognized that that side was his
own. At Oxford, Wilde had already begun to count himself, if not an
inventor, at least an exponent of the aesthetic theories of life that
were then disturbing with fitful movements the stagnant surface of
British Philistinism. He did not plan a Pantisocracy, and would have
turned with fright from Coleridge's sturdy proposal to harden the bodies
of those accustomed to intellectual and sedentary labour until they were
fitted to share in the tilling of the soil. But he was discontented with
life as it was commonly lived, and had learnt to hope that it might be
beautified by being set among beautiful things. He had expressed a wish
that he could "live up to his blue china." His rooms in Magdalen,
panelled and hung with engravings chosen for their difference from the
pictures commonly affected, had been a centre of debate. His attitude
had caused discussion and public protest, for he rode but did not hunt,
did not play cricket, watched boat-races but did not go on the river,
and only once showed much physical activity, when he wheeled Ruskin's
barrow during the famous expedition of undergraduate navvies to make a
road on Hinksey Marsh.[4]
Public-domain text, read in full here on John Shaqi.
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