Wilde, Oscar, 1854-1900 -- Criticism and interpretation
trying to turn works of art into biographical data, though that may be a
fascinating pastime. It is that biographical data cannot do other than
assist us in our understanding of the works of art.
In any case, leaving on one side this question, admittedly subject to
debate, it would have been ridiculous to study the writings alone of a
man who said, not without truth, that he put his genius into his life,
keeping only his talent for his books. I therefore changed my original
intention, and, while concerned throughout with Wilde as artist and
critic rather than as criminal, read his biographers and talked with his
friends that I might be so far from forgetting as continually to
perceive behind the books the spectacle of the man, vividly living his
life and filling it as completely as he filled his works with his
strange and brilliant personality.
It is too easy to talk glibly of the choice between life and literature.
No choice can be made between them. The whole is greater than its part,
and literature is at once the child and the stimulus of life,
inseparable from it. But, beside art, life has other activities, all of
which aspire to the self-consciousness that art makes possible. The
artist himself, for all his gift of tongues, is not blinded by the
descending light to the plastic qualities of the existence that fires
his words and is itself intensified by his speech. He, too, moves in
walled town or on the green earth, and has a little time in which to
build two memories, one for his fellows, and another, a secret diary, to
carry with him when he dies. In his life, his books or pictures or
brave harmonies of music are but moments, notes of colour in a
composition vital to himself. And when we speak so carelessly of a
choice between life and literature, we do not mean a choice. We only
compare the vividness of a man's whole life, as we perceive it, with
that of those portions of it that he spent in books. Sometimes we wonder
which is more alive. In Wilde's case we compare a row of volumes,
themselves remarkable, with a life that was the occupation of an agile
and vivid personality for which a cloistered converse with itself was
not enough, a personality that loved the lights and the bustle, the eyes
and ears of the world, and the applause that does not have to wait for
print.
Public-domain text, read in full here on John Shaqi.
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