Oscar Wilde was never a voluminous writer--"writing bores me so," he once said to André Gide--and at the time of which he speaks he had published little except some occasional verses in his University magazines. Then, in 1881, came his volume of collected poems, followed at intervals during the next nine or ten years by a collection of fairy stories and some essays in the leading reviews. "I did not quite understand what Mr. Pater meant," he continues, "and it was not till I had carefully studied his beautiful and suggestive essays on the Renaissance that I fully realised what a wonderful self-conscious art the art of English prose-writing really is, or may be made to be." It has been suggested that it was his late apprenticeship to an art that requires life-long study which rendered Wilde's prose so insincere, resembling more the conscious artifice of the modern French school than the restrained, yet jewelled style of Pater, whom he claimed as his master in prose. It was not till 1890 that he published his first and only novel, _The Picture of Dorian Gray_, with its strangeness of colour and its passionate suggestion flickering like lightning through the gloom of the subject. The Puritans and the Philistines, who scented veiled improprieties in its paradoxes, were shocked; but it delighted the connoisseur and the artist, wearied as they were with the hum-drum accounts of afternoon tea parties and the love affairs of the curate. That such a master of prose and scholarship as Pater should have written in terms of commendation of _Dorian Gray_ is sufficient to prove how free from offence the story really is. In the original version of the story one passage struck Pater as being indefinite and likely to suggest evil to evil minds. This paragraph Wilde elaborated, but he refused to suppress a single sentence of what he had written. "No artist is consciously wrong," he declared. A similar incident is recorded as early as 1878. Shairp, the Professor of Poetry at Oxford, suggested some improvements in Wilde's Newdigate Prize Poem _Ravenna_. Wilde listened to all the suggestions with courtesy, and even took notes of them, but he went away and had the poem printed without making a single alteration in it. _The Picture of Dorian Gray_ first appeared on June 20th, 1890, in _Lippincott's Monthly Magazine_ for July. It was published in America by the J.B. Lippincott Company of Philadelphia simultaneously with the English edition of the same magazine issued by Messrs. Ward, Lock and Co. A few weeks before the publication of his romance Wilde wrote a letter to a publisher stating that his story would appear in Lippincott's on the following 20th of June, and that after three months the copyright reverted to him. The publication of _Dorian Gray_ would "create a sensation," he wrote; he was "going to add two additional chapters," and would the publishing house with whom he was corresponding care to consider it?