Oscar Wilde, Art and Morality: A Defence of "The Picture of Dorian Gray"
Philosophy
Oscar Wilde, Art and Morality: A Defence of "The Picture of Dorian Gray"
Wilde, Oscar, 1854-1900. Picture of Dorian Gray
bequeathed? The world had looked upon him as infamous. He had led
the orgies at Carlton House. The Star of the Garter glittered upon
his breast. Beside him hung the portrait of his wife, a pallid,
thin-lipped woman in black. Her blood also stirred within him. How
curious it all seemed!"[24]
What a pity Dorian did not see that the sole reason for a plurality of
lives was that very thirst of the animal soul for the sensual pleasures
of the material life in which he so wildly indulged, and yet with a
diabolical, smooth, and easy method in his madness, seeking ever the
externally beautiful. Beauty fled indeed before the gaunt ugliness of
crime; but when this happened to Dorian, he coolly turned his back and
went in search of new sensations.
"And in his search for sensations that would be at once new and
delightful and possess that element of strangeness that is so
essential to romance, he would often adopt certain modes of thought
that he knew to be really alien to his nature, abandon himself to
their subtle influences, and then, having, as it were, caught their
colour and satisfied his intellectual curiosity, leave them with
that curious indifference that is not incompatible with a real
ardour of temperament, and that, indeed, according to certain
modern psychologists, is often a condition of it."[25]
Veil it as he would, his extreme moral corruption became known, crept
out from behind skilful concealments, and was borne by the breath of
gossip and scandal--whispering of its enormities. He was black-balled in
a West End Club,
"and when brought by a friend into a smoking-room of the Carlton,
the Duke of Berwick and another gentleman got up in a marked manner
and went out. Curious stories became current about him after he had
passed his twenty-fifth year. ... Men would whisper to each other
in corners, or pass him with a sneer, or look at him with cold,
searching eyes. Of such insolences and attempted slights, he, of
course, took no notice; and in the opinion of most people his frank
manner, his charming, boyish smile, and the infinite grace of that
wonderful youth that seemed never to leave him were in themselves a
sufficient answer to the calumnies (for so they called them) that
were circulated about him."[26]
Public-domain text, read in full here on John Shaqi.
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