"You're a humorist of a high order," he said warmly. "It's the huge
joke of the thing that is making people like it. Let me see, the
publisher is advertising a quotation from some paper that has called it
the funniest book in ten years."
"That's a stock phrase of the critics," said Nan; "they merely change
the title of the book from year to year. But it's been fun doing a book
that way and putting it out anonymously. Judge Walters spoke to me of it
yesterday; said he had stayed up all night to finish it."
"It's going to take more ingenuity than I possess to hide the
authorship; that's why I want you to carry the burden. The publisher
says the public demand to know who Merlin Shepperd is. And three
magazines want a short story by the author of 'The Gray Knight of
Picardy.' I'll send you the letters. That enterprising Phil has an
uncomfortable habit of running through my desk and I'm likely to forget
to lock up these things. She thought I was working on a brief all last
winter when I was doing my part of the 'Gray Knight.' But I turn the
partnership over to you now--with all the assets and liabilities and the
firm name and style. You are Merlin Shepperd and I am Kirkwood, attorney
and counselor at law, over Bernstein's. You see," he added, smiling,
"your lecture led right up to that. No more literary ventures for me!"
"Well, I'd forgotten the 'Gray Knight' for the moment; but in spite of
him I believe you had better stick to the law."
"There's this, Nan," he said earnestly, looking at her with an
intentness that caused her to move uneasily; "it would seem quite
natural for a partnership like this to be extended further. This world
would be a pretty bleak place without you. You know and understand that.
And there is Phil; Phil needs you just as I do. I mean to start afresh
at the law; I mean to make myself count. And I need you."
He rose and looked down at her. It was as though by this act he
presented himself as a rehabilitated Thomas Kirkwood; a man ready to
grapple with the world afresh for her sake. He bent over and touched
lightly her hands clasped quietly upon her knee.
"Dear Nan: I love you, Nan," he said softly, and stepped back, waiting
for her to speak.
She raised her head and their eyes met.
"Tom," she said, "you are the dearest of men; but that is not for you
and me. It will never be for you and me. And please, Tom, because you
are the finest of men, never speak of this again. You will promise,
won't you?"
"No," he said, shaking his head slowly; "I will not promise. You have
reasons and I think I know what they are. I want to talk to you soon,
for this has been in my heart a long time. I meant to speak to you last
spring. But now the need is greater. I not only need you, but Phil needs
you."
She smiled at the mention of Phil.
"That's a poor argument. Phil really doesn't need any one but you. I
should be afraid of spoiling dear, splendid Phil."
Public-domain text, read in full here on John Shaqi.
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