She had not known. Her aunt had spoken largely of the venture. The
theatrical powers of New York having frowned upon Hastings's play, he
had produced it himself, sending it forth from Chicago to enlighten the
West before carrying it to Broadway, there to put to rout and confusion
the lords of the drama who had rejected it. Five thousand dollars had
been spent and the play had failed dismally. Nor was this the first of
Hastings's misadventures of the same sort. Phil analyzed her uncle's
gloom and decided that it was sincere, and she was sorry for him as was
her way in the presence of affliction. Hastings was an absurd person,
intent upon shining in a sphere to which the gods had summoned him only
in mockery. Phil lingered to mitigate his grief as far as possible.
"I'm sorry; but I suppose if a play won't go, it won't."
"A play of merit won't! My aim was to advance the ideal of American
drama; that was all. The same money put into musical comedy would have
nailed S. R. O. on the door all winter."
"Lawr_i_nce," said Phil, glancing up at the facade of The Hastings,
"I'll tell you how you can make a barrel of money out of this brick
building."
He looked at her guardedly. Phil was a digger of pits, as he knew by
experience, and he was in no humor for trifling. His own balance at the
bank was negligible, and his wife had warned him that no more money
would be forthcoming for the encouragement of the American drama.
"Lawr_i_nce, what you ought to do is to hire that blind piano-pounder
who thumps for the fraternity dances, put a neat red-haired girl in a
box on the sidewalk, get one of the football team who's working his way
through college to turn the crank, and put on a fil-lum."
This was, indeed, rubbing salt in his wounds. He flinched at the
thought.
"Turn my house over to the 'movies'! Phil, I didn't think this of you.
After all I've tried to do to lift this dingy village to a realizing
sense of what drama is--what it should mean--"
"Trim it, Hector. You can break all the banks in town uplifting the
drama and never put it over. About once a winter you have a good piece;
the rest of the time the folks who want to see real actors go to
Indianapolis or sneak up to Chicago for a week and beat you to it. That
fil-lum show down by the court-house is rotten. Coarse and stupid. Why
not spend a few dollars changing the front of this joint and put on good
pictures? The people who keep the pictures moving in Indianapolis sit
around the fire Sunday evenings and burn money--it comes in so fast the
banks haven't room for it. Call this 'The Home Fireside'--no nickelodeon
business--and get the Center Church quartette to sing. It will sound
just like prayer-meeting to people who think a real theater a sinful
place. If you don't tackle it, I'll throw Bernstein out and take it up
myself. There's a new man in town right now trying to locate a screen;
beat him to the wire, Lawr_i_nce."
"By Jove, Phil--!"
Public-domain text, read in full here on John Shaqi.
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