Americans -- England -- Drama; Aristocracy (Social class) -- England -- Drama; Comedy plays
Dun For the spider, yes, and not very pleasant for the nose.
Geo Oh! my lord, do take me to mamma.
Dun No, you lovely sufferer, let's walk a little more.
Geo I can't my lord, I'm _so_ delicate.
Dun Well, then, exercise, imitate that little hop of mine. [Hops.] It
isn't a run, it's a--
Geo What is it?
Dun No, it isn't a what is it. Well, let me suppose I get you an oyster.
[Georgina shakes her head.] Oh! then suppose I get you an oyster.
Geo No, my lord, I'm too delicate.
Dun How would you like the left wing of a canary bird?
Geo No, my lord, it's too strong for me.
Dun Let me ask you a widdle--why does a duck go under water? for divers
reasons. Now I'll give you another--why does a duck come out of the
water? for sundry reasons. No! No! see, you live on suction, you're
like that bird with a long bill, they call doctor, no, that's not it,
I thought it was a doctor, because it has a long bill--I mean a
snipe--yes, you're a lovely snipe. [Exeunt, R.]
Asa [Looking after them.] There goes a load of wooden nutmegs. Hello,
here comes somebody else.
Enter Florence, R., with paper.
Flo. [Reads.] ``One who still remembers what he ought long since to have
forgotten, wishes to speak with Miss Trenchard.'' Florence scratched
out, ``on matters of life and death, near the orel, in the west
gallery,'' Written upon a dirty sheet of paper, in a hardly legible
hand. What does this mean; it opens like one of Mrs. Radcliffe's
romances. Well, here I am, and now for my correspondent.
Enter Murcott, L.
Mur Oh! for one minute's clear head, Miss Florence.
Flo I presume you are the writer of this?
Mur Yes, I am.
Flo You address me as an old acquaintance, but I do not recognize you.
Mur So much the better. So much the better.
Flo I hate mystery, sir; but you see I have come to rendezvous. I must
know to whom I am speaking.
Mur As frank as ever. I am Abel Murcott.
Flo Starting back! You?
Mur Do not be ashamed, I have not the strength to injure you, if I had
the evil. In this shabby, broken down drunkard you need not fear the
madman, who years ago forgot in his frantic passion the gulf that lay
between your station and his own. I am harmless except to my self.
Flo Speak on, sir; I hear you.
Mur I need not tell you by what steps I came to this, you don't know,
maybe you never knew, what a maddening thing a passion is when it turns
against itself. After being expelled from my tutorship in this house, I
lost my employment, self respect, hope. I sought to drown recollection
and draw courage from drink. It only embittered remembrances, and
destroyed the little courage I had left. That I have bread to eat, I
owe to Mr. Coyle; he employed me as his clerk. You know he has been with
your father this morning. I have come to tell you my errand; are you as
brave as you used to be when I knew--
Flo I fear nothing.
Mur I come to tell you of your father's ruin, his utter ruin.
Flo My father's ruin? What? What?
Public-domain text, read in full here on John Shaqi.
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