Our Casualty, and Other Stories: 1918Birmingham, George A.
General
Our Casualty, and Other Stories: 1918
Birmingham, George A.
Ireland -- Social life and customs -- Fiction; Short stories, Irish
“Perhaps,” she said, “you may be able to tell me when I will be able to
get a train to----?”
She mentioned one of those towns of which the English have taken
temporary possession, turning the hotels into hospitals, to the great
profit of the original proprietors.
“Certainly,” said Thompson. “There’s a train at 9 p.m. But you’ll be
travelling all night in that. If I were you I’d stay here till to-morrow
morning and then----”
“Can’t,” said the girl. “Properly speaking I’m due back to-day; but I
missed the early train this morning and only got here an hour ago. The
boat was horribly late.”
“Ah,” said Thompson, “you’re coming back after leave, I suppose.”
The girl sighed faintly.
“Yes.” she said, “but I’ve had a fortnight’s leave; I can’t complain.”
“I’ll just write down that train for you,” said Thompson.
He scribbled 9 p.m. on a piece of paper and carried it over to the girl.
It seemed to me an unnecessary thing to do. Nine is a simple number,
easy to remember. Some thought of the same kind occurred to the girl.
She looked at Thompson, first with some surprise, and then, I thought,
rather coldly. She was evidently not inclined to accept any further
friendly offers from Thompson. He did not seem in the least abashed even
when she turned her shoulder to us and looked the other way.
“Have you seen the cathedral here?” said Thompson.
The girl made no answer.
“I really think,” said Thompson, “that you ought to pay a visit to the
cathedral. You’ll like it, you really will. And you’ve got hours before
you. I don’t see how you can fill in the time if you don’t go to the
cathedral.”
“Thank you,” said the girl without turning round.
“I’m not going there,” said Thompson, “or I’d offer to show you the way.
But you can’t miss it. You can see the spire from the window. It’s the
finest specimen of early Gothic in the north of France. The glass is
superb. There’s an altar piece by Raphael or Botticelli, I forget which.
The screen is late Italian Renaissance, and there’s a tomb in the west
transept which is supposed to be that of the Venerable Bede.”
The girl got up and walked out of the room. I was not surprised.
“Thompson,” I said, “what do you mean by behaving like a cad? Any one
could see that she is a nice girl; a lady, not that sort at all.”
Thompson grinned.
“And as for that rigmarole of yours about the cathedral--what the
devil do you know about Italian Renaissance, or Botticelli or early
Gothic? I never heard such rot in my life. As a matter of fact I’ve
always heard that the glass in this cathedral is poor.”
“All the same,” said Thompson, “if she goes there she’ll be pleased.
She’ll find something she’ll like a great deal better than stained
glass.”
“As for the Venerable Bede,” I said, “he was buried in Oxford if he
was buried anywhere, and I don’t know that he was. He might have been
cremated, or minced up by high explosives so that they couldn’t bury
him.”
Public-domain text, read in full here on John Shaqi.
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