Current patterns for women, as formulated by the man in the street, by
the movies, in the women’s clubs and lecture halls can be boiled down
to one general cut. Whatever she actually is or does, in the stereotype
she is a creature specialized to function. The girl on the magazine
cover is her symbol. She holds a mirror, a fan, a flower and--at
Christmas--a baby. Without variety, activity, or individuality her
sugary smile pictures satisfying femininity. Men are allowed diversity.
Some are libertines, others are husbands; a few are lawyers, many are
clerks. They wear no insignia of masculinity or badge of paternity and
they are never expected to live up to being Man or Mankind. But every
woman has the whole weight of formulated Womanhood upon her shoulders.
Even in new times, she must carry forward the design of the ages.
One of the quaint hang-overs of the past is that men are the chief
interpreters of even the modern woman. It may be that the conquest of
varied fields and the strain of establishing the right to individuality
has taken all her time and energy. Or it may be that the habit of
vicarious expression has left her inarticulate. Whatever it is, in the
voluminous literature of the changing order, from the earnest tracts on
“How It Feels to Be a Woman,” by a leading male educator to the tawdry
and flippant syndicated views of W. L. George, masculine understanders
take the lead. And the strange part of their interpretations is that
they run true to ancient form. Old adages are put in a more racy
vernacular, the X-ray is turned on with less delicacy, but when the
froth of their engaging frankness disappears, hoary old ideas remain
thickly in the tumbler.
Take the intimate life story of a girl of the younger
generation--Janet March--written by that good friend of women, Floyd
Dell. The blurb on the jacket of the book announces that she moves
toward “not a happy ending but an intelligent one.” And the end? Janet
finds her mate and the curtain falls to the soft music of maternity.
“One has to risk something,” Janet cries. “All my life I’ve wanted to
_do_ something with myself. Something exciting. And this is the one
thing I can do. I can”--she hesitated. “I can create a breed of fierce
and athletic girls, new artists, musicians, and singers.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account