Quito had a bosom friend, named Bunker, a white man and a hunter. Bunker
might well have been ashamed of his name, as far as sound went, but he
was not. He was proud of it. He was wont to say, sometimes, that “the
Bunkers was comed of a good stock, an’ had bin straight-for’ard hunters
in the Rocky Mountains, off an’ on, for nigh a century, an’ he hoped he
would never disgrace his forefathers.” There was no fear of that, for
Bunker was as sturdy, and honest, and simple-minded a man as ever shot a
grizly bear, or trapped a beaver. He, too, was fond of meditation, and
had great delight in the society of Quito.
On his way home the young Indian met with Bunker, who said he was going
to visit some traps, but that he would follow his friend’s trail the next
day, and might perhaps overtake him before he reached his village.
It was a beautiful autumn evening when Quito approached his mountain
home. Not the finest park of the greatest noble in our land could compare
with the magnificent scenery through which the Indian walked, with his
gun on his shoulder, and his yellow leathern garments—fashioned and
richly wrought by the fingers of Laughing-eye—fluttering with innumerable
fringes and other ornaments in the gentle breeze. His dark eye glanced
from side to side with that sharp restless motion which is peculiar to
red Indians and hunters of the far west, whose lives are passed in the
midst of danger from lurking enemies and wild beasts, but the restless
glance was the result of caution, not of anxiety. Quito’s breast was as
calm and unruffled as the surface of the lakelet along whose margin he
walked, and, although he kept a sharp look-out, from the mere force of
habit, he thought no more of enemies at that time than did the little
birds which twittered in the bushes, unconscious and unmindful of the
hawk and eagle that soared high over head.
There were woods and valleys, through which flowed streams of limpid
water. Here and there were swamps, in which thousands of water-fowl
and frogs filled the air with melody, for the frogs of America are a
musical race, and a certain class of them actually whistle in their
felicity at certain periods of the year; their whistle, however, is only
one intermittent note. Elsewhere undulating plains, or prairies, gave
variety to the scene, and the whole was backed by the lofty, rugged, and
snow-clad peaks of the vast mountain range which runs through the whole
continent from north to south.
Public-domain text, read in full here on John Shaqi.
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