Master Willie Cathcart, with his dog Leo, who barks for lumps of sugar.
Mr. Cathcart, with a prodigious white vest and a black bâton, “as leader
of the choir.”
Rat-tat-tat!
Misses and Masters, Misters and Mistresses, _ad lib., ad infin._
Tea and coffee at six o’clock—and why that should mean from half-past
six to seven, custom must reply—is much better than tea at six o’clock.
A sit-down tea is a mistake; it tries the temperament, terrifies the
timid, and taxes the talkers, whereas tea and coffee implies wandering
about with a cup in your hand, and spilling it as occasion requires; it
makes work for the lads and pleasure for the lassies, and it breaks the
ice between strangers. Little groups form and chat, and when a joke has
taken with effect, it is passed on to a neighbouring group, and so all
the company gets jocular. For instance, Tom Martin was surrounded by his
favourites, and was replying to their questions as to how his violin had
stood the cold journey.
“Delightfully. But she is now reclining on the couch up-stairs, in order
to get up her strength for the evening.”
“That’s all fiddle de dee, said one.” (Applause.)
“Why do you call the violin she?” asked another.
“Because I have named her Pysche; she has so much life in her,” answered
Tom.
“You are her _sycophant_, then!” said another. (Renewed applause.)
“It seems to me your violin always has a very _guttural_ sound with it,”
remarked Alec Boyce. (Laughter.)
“Yes,” replied Tom Martin; “and no doubt the poet detected the same thing
in other instruments, when he composed those time-honoured lines—
“Hey diddle diddle,
The _cat_ and the fiddle.”
Then the applause reached its climax, and of course the little jokes were
retailed to other groups.
By degrees the company in the tea-room began to decrease. In the cold
months, however temperate the atmosphere may be kept, there is always
a chilliness in passing from one room to another, and especially at
parties. When, therefore, the drawing-room began to fill, Charlie started
a proposition—“Had we not better have a dance to warm us?” and he added,
“It used to be the fashion to terminate a concert with _God save the
Queen_; and now the _National Anthem_ comes first, and it used to be
the fashion to wind up a party with _Sir Roger de Coverley_, but why
should we not begin with it?” Of course nobody knew of any just cause
or impediment, and so the proposition was carried without a dissentient
voice.
Public-domain text, read in full here on John Shaqi.
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