Our Churches and Chapels: Their Parsons, Priests, & Congregations: Being a Critical and Historical Account of Every Place of Worship in PrestonAtticus
History
Our Churches and Chapels: Their Parsons, Priests, & Congregations: Being a Critical and Historical Account of Every Place of Worship in Preston
Atticus
Preston (Lancashire, England) -- Church history
There are three parsons at our Parish Church--Canon Parr, who is the
seventeenth vicar in a regular line of succession since the
Reformation and two curates. As to the curates we shall say nothing
beyond this, that one has got a better situation and is going to it,
and that the other would like one if he could get it--not that the
present is at all bad, only that there are others better. We don't
know how many curates there have been at the Parish Church since the
Reformation; but it, may be safely said that in their turn they
have, as a rule, accepted with calm and Christian resignation better
paid places when they had a fair opportunity of getting them. We are
not going to say very much about Cannon Parr, and let nobody suppose
that we shall make an effort to tear a passion to tatters regarding
any of his peculiarities. Canon Parr is an easy-going, genial,
educated man kindly disposed towards good living, not blessed with
over much money, fond of wearing a billycock, and strongly in love
with a cloak. He has seen much of the world, is shrewd, has a long
head, has both studied and travelled for his learning, and is the
smartest man Preston Protestants could have to defend their cause.
But he has a certain amount of narrowness in his mental vision, and,
like the bulk of parsons, can see his own way best. He has a strong
temper within him, and he can redden up beautifully all over when
his equanimity is disturbed. If you tread upon his ecclesiastical
bunions he will give you either a dark mooner or an eye opener--we
use these classical terms in a figurative sense. He will keep quiet
so long as you do; but if you make an antagonistic move be will
punish you if possible. He can wield a clever pen; his style is
cogent, scholarly, and, unless overburdened with temper, dignified.
He can fling the shafts of satire or distil the balm of pathos; can
be bitter, saucy, and aggravating; can say a hard thing in a cutting
style; and if he does not go to the bone it's no fault of his. He
can also tone down his language to a point of elegance and
tenderness; can express a good thing excellently, and utter a fine
sentiment well. His speaking is modelled after a good style; but it
is inferior to his writing. In the pulpit he expresses himself
easily, often fervently, never rantingly. The pulpit of the Parish
Church will stand for ever before he upsets it, and he will never
approach that altitude of polemical phrenitis which will induce him
to smash any part of it. His pulpit language is invariably well
chosen; some of his subjects may be rather commonplace or
inappropriate, but the words thrown into their exposition are up to
the mark. He seldom falters; he has never above one, "and now,
finally, brethren," in his concluding remarks; he invariably gives
over when he has done--a plan which John Wesley once said many
parsons neglected to observe; and his congregation, whether they
have been awake or fast asleep, generally go away satisfied. Canon
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account