"Ah, my friend, you are getting on too fast. I have no definite
purpose in regard to matrimony. Mrs. Oliver, on hearing that I had
purchased a house, sought me out directly, and exclaimed, 'Now you
have a cage, of course you must have a bird to put into it.' I
wonder if she thinks me silly enough to marry one of her daughters?
Why, I should infinitely prefer one of those show-figures in the
shop windows. They look full as well, have about as much heart, and
then they won't get sick. I don't want a bird for my cage. That's
just what fashionable wives are,--pretty birds, kept in beautiful
cages. I don't want, and I won't have anything of the kind. What I
want is a true wife, a real, substantial woman, a companion, an
adviser, a friend, one whose voice is not a mere echo of mine, but
who has a distinct individuality, with judgment, opinions and will
of her own. Of course I know that most fashionable ladies are better
than they seem, that this contemptible disguise which they wear,--
this falsehood which they repeat in the hair, the skin, the shape
and form of each and every part of the body, is not deliberate
falsehood, but the result of a thoughtless compliance with fashion;
but it is very difficult for me to separate the woman from the lie.
And then their voices! how utterly affected! no matter what the
natural voice may be, every one learns exactly the same ridiculous
intonation."
Here I interrupted him with:--
"Hold on, my friend, hold on! I really can't stand this any longer.
You greatly underrate fashionable ladies. They seem to you silly,
false and unworthy; but many of them are not a hundredth part as
false and silly as their dress and conversation. Many of these
ladies who now seem so preposterous and absurd, will, when married,
and fairly settled down, cast off this burlesque, and become sober,
solid women."
"But, as they all dress and talk exactly alike, how am I to tell
which is which and who is who?"
"Well, well, I must leave you; I have an engagement."
Public-domain text, read in full here on John Shaqi.
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