Our Homeland Churches and How to Study Them — John Shaqi
Our Homeland Churches and How to Study ThemHeath, Sidney
Religion
Our Homeland Churches and How to Study Them
Heath, Sidney
Church architecture -- Great Britain
Long before the Christian era the altar was regarded as a place of
refuge for those fleeing from justice or oppression, and this custom or
privilege of sanctuary was sanctioned by the English bishops and was
retained for many centuries by the Christian Church. Many of our parish
churches claim to possess old sanctuary rings or knockers, but it is
doubtful if any of these were ever used by fugitives, for the reason
that although in early days every parish church had the right to grant
sanctuary, few possessed the means of feeding and housing a refugee,
save in the church itself, which was expressly forbidden. This is why
we find records of fugitives travelling many miles at the risk of their
lives and passing hundreds of parish churches in their endeavour to reach
Bury St. Edmunds, Hexham, Durham or some other of the well-recognised
sanctuaries. The only sanctuary knocker remaining to-day, which is
above suspicion, is that at Durham Cathedral. It is made of bronze and
represents the grotesque head of a dragon, the ring coming from the
mouth.
[Illustration: The Baptistery in Luton Church.
_Photograph Fredk. Thurston, F.R.P.S._]
Above the door is a small room in which attendants watched by
day and night, and when a fugitive was admitted a bell was rung to
announce that someone had taken sanctuary.
[Side note: The Font.]
The font, as we have seen, was originally placed in a separate building
called the baptistery. The only known example of anything of the kind
in England is that in S. Mary's Church, Luton, fully described in The
Homeland Handbook, No. 47. It is in the Decorated style, dates from the
time of Edward III., and is said to have been designed by William of
Wykeham for Queen Philippa. It is composed of white stone with open
panels, pierced by cinquefoils and quatrefoils, while the apex of each
panel terminates in a foliated finial. The font inside is octagonal
in form and of 13th century date, but it has been somewhat restored.
Ancient fonts were always large enough to allow for total immersion,
and our present custom of baptism by affusion, or sprinkling, is only
permitted, not enjoined by the rubric. In early days the sacrament of
baptism was only administered by the bishops at the great festivals of
Pentecost and Easter, for the reason that this afforded the greater
convenience for immediate confirmation, but with the increase in the
number of churches the rite was administered by the priests in every
village. The font was required by the canon to be of stone, but there
are a few Norman fonts made of lead, among them those at S. Mary's
Church, Wareham, Walton-on-the-Hill, Surrey, and at Edburton, Parham,
and Pyecombe, Sussex. A remarkable font is that at Dolton Church, Devon,
made up of fragments of the churchyard cross, and there is also a
somewhat similar one at Melbury Bubb, Dorset. By a constitution of
Edmund, Archbishop of Canterbury (1236), fonts were required to be
Public-domain text, read in full here on John Shaqi.
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