Our House and London out of Our WindowsPennell, Elizabeth Robins
General
Our House and London out of Our Windows
Pennell, Elizabeth Robins
London (England) -- Description and travel; Pennell, Elizabeth Robins, 1855-1936 -- Homes and haunts -- England -- London
Were Covent Garden not within such easy reach of the Quarter I could
scarcely account for the trust which the needy musician places in us.
Certainly it is because of no effort or encouragement on our side. We
have small connection with the musical world, and whether because of the
size of the singers or the commercial atmosphere at Baireuth, J. since
we heard "Parsifal" there will not be induced to go to the opera
anywhere, or to venture upon a concert. Under the circumstances, the
most imaginative musician could not make believe in a professional bond
between us, though there is nothing to shake his faith in the kinship of
all the arts and, therefore, in our readiness to support the stray tenor
or violinist who cannot support himself. But imagination, anyway, is not
his strong point. He seldom displays the richness of fancy of our other
Beggars, and I can recall only one, a pianist who had grasped the
possibilities of "Who's Who." His use of it, however, went far to atone
for the neglect of the rest. With its aid he had discovered not only
that we were Philadelphians, but that Mr. David Bispham was also, and he
had to let off his enthusiasm over Philadelphia and "dear old Dave
Bispham" before he got down to business. There his originality
gave out. His was the same old story of a run of misfortunes and
disappointments--"it could never have happened if dear old Dave Bispham
had been in town"--and the climax was the dying wife for whom our
sympathy has been asked too often for a particle to be left. The only
difference was that she took rather longer in dying than usual, and the
pianist returned to report her removal from the shelter of a friend's
house to the hospital, from the hospital to lodgings, and from the
lodgings he threatened us with the spectacle of her drawing her last
breath in the gutter if we did not, then and there, pay his landlady and
his doctor and his friend to whom he was deeply in debt. We were spared
her death, probably because by that time the pianist saw the wisdom of
carrying the story of her sufferings to more responsive ears, though it
is not likely that he met with much success anywhere. He was too well
dressed for the part. With his brand-new frock coat and immaculate silk
hat, with his gold-mounted cane and Suede gloves, he was better equipped
for the _jeune premier_ warbling of love, than for the grief-stricken
husband watching in penniless desolation by the bedside of a dying wife.
Public-domain text, read in full here on John Shaqi.
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