Our Intellectual Strength and Weakness: A Short Historical and Critical Review of Literature, Art and Education in CanadaBourinot, John George
History
Our Intellectual Strength and Weakness: A Short Historical and Critical Review of Literature, Art and Education in Canada
Bourinot, John George
Canada -- Intellectual life; Canadian literature -- History and criticism; French-Canadian literature -- History and criticism
immortalized in history by the pen of Parkman--will be as noted in song
and story as the Rhine, and will have its Irving to make it as famous
as the lovely Hudson.
Of course there are many obstacles in the way of successful literary
pursuits in Canada. Our population is still small, and separated into
two distinct nationalities, who for the most part necessarily read
books printed in their own tongue. A book published in Canada then has
a relatively limited _clientèle_ in the country itself, and cannot
meet much encouragement from publishers in England or in the United
States who have advantages for placing their own publications which no
Canadian can have under existing conditions. Consequently an author
of ambition and merit should perforce look for publishers outside his
own country if he is to expect anything like just appreciation, or to
have a fair chance of reaching that literary world which alone gives
fame in the true sense. It must be admitted too that so much inferior
work has at times found its way from Canada to other countries that
publishers are apt to look askance at a book when it is offered to
them from the colonies. Still, while this may at times operate against
making what is a fairly good bargain with the publisher--and many
authors, of course, believe with reason that a publisher, as a rule,
never makes a good bargain with an author, and certainly not with a new
one--a good book will sooner or later assert itself whenever Canadians
write such a book. Let Canadians then persevere conscientiously and
confidently in their efforts to break through the indifference which at
present tends to cramp their efforts and dampen their energy. It is a
fashion with some colonial writers to believe that there is a settled
determination on the part of English critics to ignore their best
work, when, perhaps, in the majority of cases it is the lack of good
work that is at fault. Such a conclusion sometimes finds an argument
in the fact that, when so able a Canadian as Edward Blake enters the
legislative halls of England, some ill-natured critic, who represents
a spirit of insular English snobbery, has only a sneer for "this
Canadian lawyer" who had better "stay at home," and not presume to
think that he, a mere colonist, could have anything to say in matters
affecting the good government of the British Empire. But the time has
long since passed for sneers at colonial self-government or colonial
intellect, and we are more likely hereafter to have a Canadian House of
Commons held up as a model of decorum for so-called English gentlemen.
Such able and impartial critical journals as _The Athenæum_ are more
ready to welcome than ignore a good book in these days of second-rate
literature in England itself. If we produce such a good book as Mrs.
Campbell Praed's "Australian Life," or Tasma's "Uncle Piper of Piper's
Hill," we may be sure the English papers will do us justice. Let me
Public-domain text, read in full here on John Shaqi.
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