Our Little Hawaiian CousinWade, Mary Hazelton Blanchard
General
Our Little Hawaiian Cousin
Wade, Mary Hazelton Blanchard
Children -- Hawaii --Juvenile literature; Hawaii -- Social life and customs -- Juvenile literature
"It is at least a hundred years ago," says old Hiko, "that my
grandfather fled to the Pahonua, that strong old city whose walls have
sheltered many an innocent man and helpless woman. He was accused of
breaking the 'tabu' the chief of his village had laid upon a certain
spring of water." (Of course, as you know, "tabu" means _sacred_, and so
the water of that spring must not be used by any one except the chief
himself.)
"My grandfather was then a young man, gay and happy. He would never have
dared to break the tabu, but an enemy accused him of so doing, and the
chief sent armed men to kill him. A good friend heard of it in time to
warn him, and he fled over the mountains on his trusty horse.
"His pursuers were in full view when he reached the entrance to the
city of refuge. Here they believed he was under the protection of the
gods, so they turned back. Drawing a long breath of relief, he entered
the city. He lived for some days in one of the houses built inside its
massive walls. Then he came home again without fear, for he could never
more be harmed for the deed of which he had been accused.
"In those times, my children," says the old man, "the thief, even the
murderer, was pardoned, once he reached the city of refuge. And during
wars it was the place to which women and children fled; there alone were
they safe."
But the people are rested now, and do not care to think longer of the
olden times. As the tide is far out, a dance upon the beach is proposed.
Upa pounds his drum, and another of the party plays upon a bamboo flute.
All the others move about on the coral sand in slow, graceful circles.
While they are enjoying themselves in this way, we can examine Upa's
drum. He made it from the hollow trunk of a cocoa-palm. It is covered
with shark's skin. Odd as it seems to us, it serves his purpose very
well, and the boy keeps good time with the dancers. While he beats upon
it he delights in watching Auwae move about on the sand. She is the very
picture of grace and happiness.
CHAPTER X.
UP THE MOUNTAIN.
THE pleasant days pass by for Auwae and Upa, and the time comes for the
great trip to Kilauea. You must understand that Kilauea is not the
volcano itself, but the largest crater on the side of Mauna Loa. Many
grown people as well as children picture a volcano as a great cone with
only one deep pit, down into which they can look when they reach the
summit.
This is not always so; for the fire raging in the heart of Mauna Loa has
burst out in more than one place on its sides. Kilauea is the largest of
these outlets, or craters. It is a hard journey to climb even so far as
this. Very few people are daring enough to go still farther and journey
to the summit of Mauna Loa.
Auwae's mother actually grows excited while she gets her little daughter
ready for the trip. She does not care to go herself.
Public-domain text, read in full here on John Shaqi.
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