Our Little Japanese CousinWade, Mary Hazelton Blanchard
General
Our Little Japanese Cousin
Wade, Mary Hazelton Blanchard
Children -- Japan -- Juvenile literature; Japan -- Social life and customs -- Juvenile literature
The inside of the building is almost bare. There are no statues of
gods or goddesses, no ornaments,--nothing except an altar with some
queer sticks standing upon it. Festoons of white paper hang from these
wands, or "gohei," as the Japanese call them. A priest stands behind
the altar, and a large cloth is spread out on the floor in front of it.
Lotus Blossom and Toyo clap their hands. This is to call the attention
of the gods. Then they say a little prayer and throw some money upon
the cloth. If they are very good and devout children, perhaps the gods
will descend into the temple. The queer papers on the wands are to be
the clothing of these great beings. No images are needed, you see,
only plenty of paper. Rather hard to understand this, and yet all that
is necessary for Toyo and Lotus Blossom is to worship their ancestors
properly, and believe that the great spirits are working everywhere in
nature. This is the reason they are taught to obey their parents at
all times, and never to harm anything living. The children are also
taught to believe that the Mikado, the Emperor of Japan, is descended
from god-kings who once ruled over the country. This is why such great
honour is paid him wherever he goes. Until a few years ago the people
thought him so sacred that they ought not to look at him, so he was
obliged to stay inside his beautiful palace like a prisoner. But times
have changed, and his subjects have a little more common sense nowadays.
After our little cousins have said their prayers and given their money,
they go to a dance-hall in another part of the temple. You know by this
time that the Japanese like to enjoy themselves. But isn't it a strange
idea to have dancing, praying, and feasting in the same place? The
dancers are dressed like butterflies. They have beautiful red and gold
wings. They are very graceful, but the music is unpleasant to us. Toyo
thinks it is fine, and wishes he could play as well.
Now for a good dinner in the restaurant in the next hall, for the boy's
father has promised to treat his family to all the dainties of the
season,--candied lotus-leaves, and everything they like best. It is a
happy day, and the children wish they could go to the temple oftener.
Public-domain text, read in full here on John Shaqi.
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