Our Little Russian CousinWade, Mary Hazelton Blanchard
General
Our Little Russian Cousin
Wade, Mary Hazelton Blanchard
Children -- Russia -- Juvenile literature
Petrovna goes to the door of one of the cottages and passes inside. Oh
dear, how close the place is! It smells strongly of the cabbage soup
boiling for the day's dinner. Only one small room in the house. Yet
there is a large family of children living here, besides half a dozen
shaggy-haired dogs. With the exception of the big brick stove, there is
no furniture except what the father made himself. In one corner of the
room is a rickety table.
A narrow bench is built against the wall on two sides of the room.
There are no chairs and no beds. How do they get along? And yet they
seem quite happy and comfortable. Papa and mamma sleep up on top of the
big stove. The older children sleep beside them. Don't worry, my dears.
They do not get burned, but like their hard, warm bed very much. The
logs burn down to ashes in the daytime. The bricks are just pleasantly
warm by night.
But the little girl to whom Petrovna has brought the dress, and her
three-year-old brother, where do they sleep? On the benches against the
walls. If they should have bad dreams and tumble off in the night, it
would not matter so very much, for the bench is near the floor.
When meal time comes, the family does not gather around the table, for
as I told you, there are no seats that can be moved. They sit on the
benches, and the table is therefore kept in the corner of the room.
They can sit at only two sides of it, of course.
But I have not yet spoken of the most important thing in the house. It
is the Ikon, or sacred picture. The priest blessed it before it was
brought to the home. There is a place for a candle to burn in front
of it, but these poor people cannot afford to keep one lighted all the
time. This picture has no gold upon it, like the one in Petrovna's
house. It cost only a few pennies, but it is sacred, nevertheless. The
family give it reverence many times a day. It is never forgotten as
they enter the room.
It sometimes happens, I am sorry to say, that the father comes home
the worse for taking strong drink. Perhaps he cannot walk straight,
and hangs his head from side to side. But when he opens the door, he
remembers to turn to the sacred picture and cross himself before it.
Although there is so little furniture and so few windows, the room
looks bright and gay. The table is painted a gorgeous red, while the
benches are a brilliant green.
Black bread made from coarse rye-meal, cabbage soup, weak tea (for they
cannot afford to have it strong), are the daily food of the peasants.
If they can get some buckwheat and dried herring, once in awhile, they
think themselves well-off.
They have many happy times, these poor people of Russia. When work is
done for the day, they dance and sing, and play upon the concertina, if
any one in the village owns one of these cheap musical instruments.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account