Our Little Siamese CousinWade, Mary Hazelton Blanchard
General
Our Little Siamese Cousin
Wade, Mary Hazelton Blanchard
Children -- Thailand -- Juvenile literature
Chin's eyes sparkled. "Yes, indeed, father. There is a kite store, now.
Let us go in and look around. The kites there are beautiful."
It is no wonder Chin longed to stop. All sorts of kites were there to
tempt the passer-by. They were in the shapes of flowers and boats,
dragons and elephants, and I can't tell how many other odd or lovely
patterns. Chin's father was as much interested as his son, and a
half-hour was spent before they finally decided on buying a kite in the
form of a butterfly.
"We will have great sport in flying it this afternoon," said Chin.
"Chie Lo must enjoy it with us."
He had finished speaking when he caught sight of a procession coming in
that direction. A moment before there had been so many children, dogs,
and cats in the street they seemed to block the way of everything else;
but now the children quickly turned aside and ran into the doorways.
As the procession drew near, a great shouting and beating of drums
could be heard.
"Father, look quickly," said Chin. "The men are carrying a statue of
Buddha on a litter. Isn't it beautiful? It is all covered with gilt.
I wonder where they will carry it. Oh, now I see; they have stopped
at that open place and are going to have a play. There are the actors
themselves."
"Some rich man is doing this," said Chin's father. "He has probably
hired the actors, and the show will be free to all. He is making merit
for himself, without doubt. We will join the crowd."
[Illustration: SIAMESE ACTORS.]
By this time the gilded statue had been set up on a sort of throne, and
sticks of incense were lighted and placed on the rough altar in front
of it.
The strangest part came now, for the actors began to put on their queer
costumes right before the people who had gathered around the show. Then
came the play.
There was neither stage nor curtain; nor was there any scenery, except
that of the place itself. But Chin and his father enjoyed it as well as
the other onlookers. They laughed and looked sad, in turn, and seemed
to forget that it was only a play, and not real life, that was pictured
before them.
When the play was over, Chin's father said:
"We must go back to the stores, for I have not bought my waist-cloth
yet."
The place they soon entered was different from any dry-goods store you
ever saw. The room was fitted with pigeonholes, in each of which was
folded a strip of cloth one yard wide, and three yards long. Some of
these pa-nungs, or waist-cloths, were of silk, and others of cotton.
Some were striped, and others figured. They form, as you know, the
principal part of the dress of both men and women in Siam.
After Chin's father had looked at a number of the cotton waist-cloths,
he finally decided on one that was gaily striped. It was of no use for
him to examine anything made of silk. It would cost more than the poor
man could afford.
"Now, for the tailor's," he said. "I must buy thread and needles."
Public-domain text, read in full here on John Shaqi.
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