"Haven't you seen the ice-cream makers before?" said the señora. "No,
I think you cannot remember last summer, can you? The gipsies go up to
the Sierras in the very early morning, and get donkey-loads of snow,
and the people make ice-cream in those pails with the snow in it. They
sit right at their doors on the sidewalk and make the fresh cream, and
any one can buy a glass of it."
"Do let us have some," cried the children, and their indulgent mother
ordered the horses stopped while they ate some of the delicious fresh
cream.
As the carriage rolled on down the steep street, so narrow that as
Manuel said "one can hardly pass another after a full dinner," the
swineherd was just coming out for the day, and Juanita cried:
"Oh, _madre_! See that man with the pipe in his mouth; what queer music
he plays! What is he?"
"He is the swineherd, _niña_. See, he comes from his alley, staff in
hand," the señora said. "Watch him blow his pipe without turning his
head, and the pigs come after him, as if he had charmed them. Little
and big, dark and light, fat and scrawny, there they come following him
to pasture. Every alley we pass adds some curly tail to the procession.
Now he is ready to turn out of the town into that grove, and see what
an army of piggies follows him! He never looks for any of them, but
they hear the music of his pipe and start because they learned long ago
that it leads them to good pastures."
"I think they are too funny for anything," said the little girl. "Does
he bring them back at night?"
"Yes, and every little piggy knows his own alley, and goes right home
with a little frisk of his curly tail to say 'good night,'" said her
mother, smiling.
"See those oxen; are they not splendid fellows? I love to see them draw
their loads so easily. Beautiful creamy creatures, with their dark
points and their great, soft eyes."
"What is that wooden thing over their heads?" asked Juanita.
"That is the yoke to couple them together. They are the gentlest
animals in the world, these great, hornèd beasts, and the driver walks
in front of them with a stick over his shoulder, which he seldom thinks
of using."
"Oh, what a cunning little donkey!" cried the little girl, as they
passed a tiny donkey laden with panniers filled with flowers, fruit,
vegetables, bread, fowls, and even a water-jar. "How prettily he is
clipped, all in a pattern."
"Mamma," said Fernando, "some of the donkeys that the gipsies have
clipped have mottoes and pictures on them. I know a boy whose donkey
has '_Viva mi Amo_'[14] on his side. I don't like that, for if the
donkey doesn't love his master, it is telling a story."
His mother laughed. "We will hope he has a good little master, and then
the donkey will care for him and not be telling a falsehood with his
fur.
Public-domain text, read in full here on John Shaqi.
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