Our Little Turkish CousinWade, Mary Hazelton Blanchard
General
Our Little Turkish Cousin
Wade, Mary Hazelton Blanchard
Children -- Turkey -- Juvenile literature
This part of the house is very beautiful. Rich curtains hang in the
doorways. Soft and heavy rugs are placed here and there on the floors.
Divans with soft cushions stretch along the sides of the walls, under
the latticed windows.
Yes, every window is covered with lattice-work, so that no one passing
along the street below can see the faces of the persons within these
upper rooms.
This is the fashion of the country. Poor women of Turkey! They seem to
us almost like prisoners, but they have been brought up to think of
their life as the most natural and best in the world. They may go
outdoors whenever they like, so long as a veil is worn over the face.
But no man, unless he is a very near relative, must enter the part of
the house where the women and children have their home.
CHAPTER III.
THE FIRE
"LISTEN, listen, Osman. What is all the noise about?" exclaimed Selim.
It was toward the end of the afternoon, and both boys were growing tired
of play.
"It's a fire. Don't you see the police? They are hurrying along with
pails of water on their heads. Then, look quickly down the street! Smoke
is coming out of that building. Let's ask nurse to go with us."
In another moment Osman had run into the house and out again, with old
black Fatima trotting after as fast as she could move. She hurriedly
pulled her veil over her face. Then, taking each boy by the hand, she
led them through the gate, and joined the crowd of people who were
going in the direction of the fire.
Everybody looked gay and happy. Why shouldn't they have a good time? The
fire did not happen through any fault of theirs. It would be a grand
sight, and the onlookers might as well enjoy it.
There were no fire-engines in the city. The policemen brought pails of
water, but these did little good.
And now, not only columns of smoke are bursting through the windows and
doorways, but flames are leaping and dancing along the openings. See!
Those who are still inside the burning house are throwing out cushions
and mats, curtains and pillows, into the street. Such furnishings can be
saved, even if the building is destroyed.
The watching crowd seize these articles and at once make themselves
comfortable. A number of women sit down on a pile of soft rugs and
prepare to enjoy the show, as if they were at the theatre. Not far off
is a group of men, who stand chatting and smoking. The balconies of
neighbouring houses are filled with gazing crowds.
The street peddlers soon begin to arrive. They bring trays of
sweetmeats, sherbets, and other good things. As they elbow their way
through the crowd, they act as though the fire had been started on
purpose to give them a chance to sell their goods.
Still the fire rages; the timbers creak; the walls begin to totter; the
roof gives way, and falls inward with a crash. In a few moments more,
only a heap of charred wood is left in the place of a fine house.
Public-domain text, read in full here on John Shaqi.
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