Our Mr. Wrenn: The Romantic Adventures of a Gentle ManLewis, Sinclair
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Our Mr. Wrenn: The Romantic Adventures of a Gentle Man
Lewis, Sinclair
Courtship -- Fiction; Love stories; Man-woman relationships -- Fiction; Middle-aged men -- United States -- Fiction
He was going back to his own people, he was deciding.
As he rose with elaborate boarding-house apologies to the room at large
for going, and a cheerful but not intimate “Good night” to Istra, she
followed him to the door and into the dark long hallway without.
“Good night, Mouse dear. I’m glad you got a chance to talk to the
Silver Girl. But was Mr. Hargis rude to you? I heard him talking Single
Tax—or was it Matisse?—and he’s usually rude when he talks about them.”
“No. He was all right.”
“Then what _is_ worrying you?”
“Oh—nothing. Good ni—”
“You _are_ going off angry. _Aren’t_ you?”
“No, but—oh, there ain’t any use of our—of me being— _Is_ there?”
“N-no—”
“Matisse—the guy you just spoke about—and these artists here tonight in
bobtail dress-suits—I wouldn’t know when to wear one of them things,
and when a swallow-tail—if I had one, even—or when a Prince Albert or—”
“Oh, not a Prince Albert, Mouse dear. Say, a frock-coat.”
“Sure. That’s what I mean. It’s like that Matisse guy. I don’t know
about none of the things you’re interested in. While you’ve been away
from Mrs. Arty’s—Lord, I’ve missed you so! But when I try to train with
your bunch, or when you spring Matisse” (he seemed peculiarly to resent
the unfortunate French artist) “on me I sort of get onto myself—and now
it ain’t like it was in England; I’ve got a bunch of my own I can chase
around with. Anyway, I got onto myself tonight. I s’pose it’s partly
because I been thinking you didn’t care much for _my_ friends.”
“But, Mouse dear, all this isn’t news to me. Surely you, who’ve gipsied
with me, aren’t going to be so obvious, so banal, as to blame _me_
because you’ve cared for me, are you, child?”
“Oh no, no, no! I didn’t mean to do that. I just wanted—oh, gee! I
dunno—well, I wanted to have things between us definite.”
“I do understand. You’re quite right. And now we’re just friends,
aren’t we?”
“Yes.”
“Then good-by. And sometime when I’m back in New York—I’m going to
California in a few days—I think I’ll be able to get back here—I
certainly hope so—though of course I’ll have to keep house for friend
father for a while, and maybe I’ll marry myself with a local magnate in
desperation—but, as I was saying, dear, when I get back here we’ll have
a good dinner, _nicht wahr?_”
“Yes, and—good-by.”
She stood at the top of the stairs looking down. He slowly clumped down
the wooden treads, boiling with the amazing discoveries that he had
said good-by to Istra, that he was not sorry, and that now he could
offer to Nelly Croubel everything.
Istra suddenly called, “O Mouse, wait just a moment.”
She darted like a swallow. She threw her arm about his shoulder and
kissed his cheek. Instantly she was running up-stairs again, and had
disappeared into the studio.
Mr. William Wrenn was walking rapidly up Riverside Drive, thinking
about his letters to the Southern merchants.
Public-domain text, read in full here on John Shaqi.
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