Our Mr. Wrenn: The Romantic Adventures of a Gentle ManLewis, Sinclair
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Our Mr. Wrenn: The Romantic Adventures of a Gentle Man
Lewis, Sinclair
Courtship -- Fiction; Love stories; Man-woman relationships -- Fiction; Middle-aged men -- United States -- Fiction
She looked at him sidewise and confided, “Will you do me a favor?”
“Oh yes, I—”
“Ever been married?”
He was frightfully startled. His “No” sounded as though he couldn’t
quite remember.
She seemed much amused. You wouldn’t have believed that this superior
quizzical woman who tapped her fingers carelessly on her slim exquisite
knee had ever sobbed in the night.
“Oh, that wasn’t a personal question,” she said. “I just wanted to know
what you’re like. Don’t you ever collect people? I do—chloroform ’em
quite cruelly and pin their poor little corpses out on nice clean
corks…. You live alone in New York, do you?”
“Y-yes.”
“Who do you play with—know?”
“Not—not much of anybody. Except maybe Charley Carpenter. He’s
assistant bookkeeper for the Souvenir Company. “He had wanted to, and
immediately decided not to, invent _grandes mondes_ whereof he was an
intimate.
“What do—oh, you know—people in New York who don’t go to parties or
read much—what do they do for amusement? I’m so interested in types.”
“Well—” said he.
That was all he could say till he had digested a pair of thoughts: Just
what did she mean by “types”? Had it something to do with printing
stories? And what could he say about the people, anyway? He observed:
“Oh, I don’t know—just talk about—oh, cards and jobs and folks and
things and—oh, you know; go to moving pictures and vaudeville and go to
Coney Island and—oh, sleep.”
“But you—?”
“Well, I read a good deal. Quite a little. Shakespeare and geography
and a lot of stuff. I like reading.”
“And how do you place Nietzsche?” she gravely desired to know.
“?”
“Nietzsche. You know—the German humorist.”
“Oh yes—uh—let me see now; he’s—uh—”
“Why, you remember, don’t you? Haeckel and he wrote the great musical
comedy of the century. And Matisse did the music—Matisse and Rodin.”
“I haven’t been to it,” he said, vaguely. “…I don’t know much German.
Course I know a few words, like _Spricken Sie Dutch_ and _Bitty, sir_,
that Rabin at the Souvenir Company—he’s a German Jew, I guess—learnt
me…. But, say, isn’t Kipling great! Gee! when I read _Kim_ I can
imagine I’m hiking along one of those roads in India just like I was
there—you know, all those magicians and so on…. Readin’s wonderful,
ain’t it!”
“Um. Yes.”
“I bet you read an awful lot.”
“Very little. Oh—D’Annunzio and some Turgenev and a little
Tourgenieff…. That last was a joke, you know.”
“Oh yes,” disconcertedly.
“What sorts of plays do you go to, Mr. Wrenn?”
“Moving pictures mostly,” he said, easily, then bitterly wished he
hadn’t confessed so low-life a habit.
Public-domain text, read in full here on John Shaqi.
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