Our Mr. Wrenn: The Romantic Adventures of a Gentle ManLewis, Sinclair
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Our Mr. Wrenn: The Romantic Adventures of a Gentle Man
Lewis, Sinclair
Courtship -- Fiction; Love stories; Man-woman relationships -- Fiction; Middle-aged men -- United States -- Fiction
She reached out her hand and took his. He was terrifically conscious of
the warm smoothness of her fingers playing a soft tattoo on the back of
his hand, while she said:
“But you have been in love? Drefful in love?”
“I never have.”
“Dear child, you’ve missed so much of the tea and cakes of life,
haven’t you? And you have an interest in life. Do you know, when I
think of the jaded Interesting People I’ve met—Why do I leave you to be
spoiled by some shop-girl in a flowered hat? She’d drag you to
moving-picture shows…. Oh! You didn’t tell me that you went to moving
pictures, did you?”
“No!” he lied, fervently, then, feeling guilty, “I used to, but no
more.”
“It _shall_ go to the nice moving pictures if it wants to! It shall
take me, too. We’ll forget there are any syndicalists or
broken-colorists for a while, won’t we? We’ll let the robins cover us
with leaves.”
“You mean like the babes in the woods? But, say, I’m afraid you ain’t
just a babe in the woods! You’re the first person with brains I ever
met, ’cept, maybe, Dr. Mittyford; and the Doc never would play games, I
don’t believe. The very first one, really.”
“Thank you!” Her warm pressure on his hand tightened. His heart was
making the maddest gladdest leaps, and timidly, with a feeling of
historic daring, he ventured to explore with his thumb-tip the fine
lines of the side of her hand…. It actually was he, sitting here with a
princess, and he actually did feel the softness of her hand, he
pantingly assured himself.
Suddenly she gave his hand a parting pressure and sprang up.
“Come. We’ll have tiffin, and then I’ll send you away, and to-morrow
we’ll go see the Tate Gallery.”
While Istra was sending the slavey for cakes and a pint of light wine
Mr. Wrenn sat in a chair—just sat in it; he wanted to show that he
could be dignified and not take advantage of Miss Nash’s kindness by
slouchin’ round. Having read much Kipling, he had an idea that tiffin
was some kind of lunch in the afternoon, but of course if Miss Nash
used the word for evening supper, then he had been wrong.
Istra whisked the writing-table with the Reseda-green cover over before
the fire, chucked its papers on the bed, and placed a bunch of roses on
one end, moving the small blue vase two inches to the right, then two
inches forward.
The wine she poured into a decanter. Wine was distinctly a problem to
him. He was excited over his sudden rise into a society where one took
wine as a matter of course. Mrs. Zapp wouldn’t take it as a matter of
course. He rejoiced that he wasn’t narrow-minded, like Mrs. Zapp. He
worked so hard at not being narrow-minded like Mrs. Zapp that he
started when he was called out of his day-dream by a mocking voice:
“But you might look at the cakes. Just once, anyway. They are very nice
cakes.”
“Uh—”
“Yes, I know the wine is wine. Beastly of it.”
“Say, Miss Nash, I did get you this time.”
“Oh, don’t tell me that my presiding goddessship is over already.”
Public-domain text, read in full here on John Shaqi.
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