Our Mr. Wrenn: The Romantic Adventures of a Gentle ManLewis, Sinclair
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Our Mr. Wrenn: The Romantic Adventures of a Gentle Man
Lewis, Sinclair
Courtship -- Fiction; Love stories; Man-woman relationships -- Fiction; Middle-aged men -- United States -- Fiction
“Doubtless it _was_ the best butter. But where, where, dear dormouse,
are the hatter and hare? Especially the sweet bunny rabbit that
wriggled his ears and loved Gralice, the _princesse d’outre-mer._
“Where, where are the hatter and hare,
And where is the best butter gone?”
Presently: “Come on. Let’s beat it down to Soho for dinner. Or—no! Now
you shall lead me. Show me where you’d go for dinner. And you shall
take me to a music-hall, and make me enjoy it. Now _you_ teach _me_ to
play.”
“Gee! I’m afraid I don’t know a single thing to teach you.”
“Yes, but—See here! We are two lonely Western barbarians in a strange
land. We’ll play together for a little while. We’re not used to each
other’s sort of play, but that will break up the monotony of life all
the more. I don’t know how long we’ll play or—Shall we?”
“Oh yes!”
“Now show me how you play.”
“I don’t believe I ever did much, really.”
“Well, you shall take me to your kind of a restaurant.”
“I don’t believe you’d care much for penny meat-pies.”
“Little meat-pies?”
“Um-huh.”
“Little _crispy_ ones? With flaky covers?”
“Um-huh.”
“Why, course I would! And ha’p’ny tea? Lead me to it, O brave knight!
And to a vaudeville.”
He found that this devoted attendant of theaters had never seen the
beautiful Italians who pounce upon protesting zylophones with small
clubs, or the side-splitting juggler’s assistant who breaks up piles
and piles of plates. And as to the top hat that turns into an accordion
and produces much melody, she was ecstatic.
At after-theater supper he talked of Theresa and South Beach, of
Charley Carpenter and Morton—Morton—Morton.
They sat, at midnight, on the steps of the house in Tavistock Place.
“I do know you now, “she mused. “It’s curious how any two babes in a
strange-enough woods get acquainted. You _are_ a lonely child, aren’t
you?” Her voice was mother-soft. “We will play just a little—”
“I wish I had some games to teach. But you know so much.”
“And I’m a perfect beauty, too, aren’t I?” she said, gravely.
“Yes, you are!” stoutly.
“You would be loyal…. And I need some one’s admiration…. Mostly, Paris
and London hold their sides laughing at poor Istra.”
He caught her hand. “Oh, don’t! They _must_ ’preciate you. I’d like to
kill anybody that didn’t!”
“Thanks.” She gave his hand a return pressure and hastily withdrew her
own. “You’ll be good to some sweet pink face…. And I’ll go on being
discontented. Oh, isn ’t life the fiercest proposition!… We seem
different, you and I, but maybe it’s mostly surface—down deep we’re
alike in being desperately unhappy because we never know what we’re
unhappy about. Well—”
He wanted to put his head down on her knees and rest there. But he sat
still, and presently their cold hands snuggled together.
Public-domain text, read in full here on John Shaqi.
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