Our Nervous Friends — Illustrating the Mastery of NervousnessCarroll, Robert S. (Robert Sproul)
Science
Our Nervous Friends — Illustrating the Mastery of Nervousness
Carroll, Robert S. (Robert Sproul)
Nervous system -- Hygiene
Thus, early and intensely, a morbid attitude toward death, a
conviction that self-pity was reasonable, normal, wholesome, a belief
that it was her duty to publicly display intensive evidences of her
affliction, determined a lasting and potent influence in this girl's
life which was to alloy her young womanhood--disturbing factors, all,
which before twelve caused much emotional disequilibrium. She now
lived with her uncle in New York City and her summers were spent in
Canada. The sense of fitness was so strong that during the next two
vitally important, developing years she avoided any physical
expression of her natural exuberance of spirits; and habits now formed
which were, for years, to deny her any right use of her muscular self.
She read much; she read well; she read intensely. She attended a
private school and long before her time was an accredited young lady.
Mentally, she matured very early, and with the exception of the
damaging influences which have been mentioned, she represented a
superior capacity for feeling and conceiving and accomplishing, even
as she possessed an equally keen capacity for suffering.
She was most winsome at sixteen, a bit frail and fragile, often spoken
of as a rare piece of Sevres, beloved with a tenderness which would
have warped the disposition of one less unselfish; emotionally
intense, brilliancy and vivacity periodically burst through the habit
of her reserve. A perfect pupil, and in all fine things literary,
keenly alive, she had written several short sketches which showed
imaginative originality and a sympathetic sensitiveness, especially
toward human suffering. And her uncle was sure that a greater than
George Eliot had come. There was to be a year abroad, and as the
doctor and her teacher in English agreed on Italy, there she went. At
seventeen, during the year in Florence, the inevitable lover came.
Family traditions, parents, her orphanage, the protective surroundings
of her uncle's home, her instincts--all had kept her apart. Her
knowledge of young lovers was but literary, and this particular young
lover presented a side which soon laid deep hold on her confidence.
They studied Italian together. He was musical, she was poetic, and he
gracefully fitted her sonnets to melodies. Finally, it seemed that the
great Song of Life had brought them together to complete one of its
harmonies. Her confidence grew to love, the love which seemed to stand
to her for life. Then the awful suddenness, which had in the past
marked her sorrows, burst in again. In one heart-breaking, repelling
half-hour his other self was revealed, and a damaged love was left to
minister to wretchedness. Here was a hurt denied even the expression
of mourning stationery or black apparel--a hurt which must be hidden
and ever crowded back into the bursting within. Immediate catastrophe
would probably have followed had not, first, the fine pride of her
fine self, then the demands of her art for expression, stepped in to
save.
Public-domain text, read in full here on John Shaqi.
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