Our Nervous Friends — Illustrating the Mastery of NervousnessCarroll, Robert S. (Robert Sproul)
Science
Our Nervous Friends — Illustrating the Mastery of Nervousness
Carroll, Robert S. (Robert Sproul)
Nervous system -- Hygiene
It was her earliest recollection, and parts of it were not clear.
There were those big men carrying in her father, and her mother's face
looking so strange, and her father looking so strange with the white
cloths about his head, and the strange faces of doctors and neighbors
she had not seen before. Then the strange stillness and the strange
new fear when her father did not move and they all were so quiet.
These memories were rather blurred; she was not always sure which were
memories of the events or which had grown from what she had afterwards
heard. But of the funeral she was very sure, for she could never
forget those beautiful silvered handles on the shining wooden coffin,
or her resentment toward the women dressed in black who would not let
her touch these--the prettiest things she had ever seen. The colts had
run away, frightened, when an empty sap-barrel fell off the sled, and
her father had been thrown against a tree and brought home with a
fractured skull, to live unconscious two days, and to be buried in the
shiny coffin with the silver handles.
There had been an older child who died as a baby of eight months, and
so Widow Gilmore was left at thirty-five with her only child, Hattie,
and a hundred-and-forty-acre farm, with the house in town. Mrs.
Gilmore had good business sense. She lived alone with Hattie, ran the
farm, and soon her interests degenerated into a slavery to household
and farm details.
The widow had taught school until she was nearly thirty. She was not
handsome, and the meager sentiment of her soul easily disintegrated
into morbidness. She wore black the rest of her days, and for the rest
of her days church services were hours of public mourning. The Gilmore
"parlor" was closed after the funeral, and Hattie never got a glimpse
within its almost gruesomely sacred walls, save as she timidly peeped
in during cleaning days or, rarely, when her mother tearfully led her
in and they stood before the life-size crayon portrait of the
departed. Even in her quiet play, Hattie must keep on the other side
of the house.
Public-domain text, read in full here on John Shaqi.
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