After the claims of immediate dramatic suffering, comes the great mute community of the French people, whose life and work have been blighted. And for one section of that community the Association of "_Les Amis des Artistes_" has been formed. "To preserve French art from the deadly effects of the war, which creates conditions so unfavorable to the production of masterpieces of painting, sculpture, architecture, decorative arts, engraving," is the object of this society. The members see that other forms of activity will swiftly revive after the war. "The invaded districts will be rebuilt, business will flourish. But art will have a hard and prolonged struggle." The society purchases from its funds the works of men of talent whom the war has robbed of means of support. These paintings, statuary, engravings, so acquired, are annually divided among the members. The purchase is made by a committee composed of distinguished artists, critics and connoisseurs, representing the three great French salons and the various art tendencies of the modern movement. The Honorary Committee includes Bakst, Hanotaux, Maeterlinck, Rodin and Raemaekers. Americans who are aiding are Mrs. Mark Baldwin, Mrs. Paul Gans, Walter Gay, Laurence V. Benét, and Percy Peixotto. The new American fund of the "Guthrie Committee" for the relief of the orphans of war has been recently announced. It is planned to raise many millions of dollars for this object. Children, artists, invalid soldiers, refugees--there is a various and immense suffering in France at this moment, and no American can afford to be neutral in the presence of that need. The sense of the sharp individual disturbance and of the mass of misery came to me one day when I visited the Maison Blanche. We entered the open air corridor, where a group of thirty men rose to salute our party. My eye picked up a young man, whose face carried an expression of gentleness. "Go and bring the War Minister your work," said the Major who was conducting us. A little chattering sound came from the lips of the boy. It sounded like the note of a bird, a faint twittering, making the sound of "Wheet-Wheet"--twice repeated each half minute. Then began the strangest walk I have ever seen. His legs thrust out in unexpected directions, his arms bobbed, his whole body trembled. Sometimes he sank partly to the ground. His progress was slow, because he was spilling his vitality in these motions. And all the time, the low chirrup came from his lips. More laborious and cruel than the price paid by the victims of vice was this walk of one who had served his country. And yet nothing in the indignity that had been done to his body could rob him of that sweetness of expression.