Our Show: A Humorous Account of the International Exposition in Honor of the Centennial Anniversary of American Independence, from Inception to Completion, Including Description of Buildings, Biographies of Managers, Receptions of Foreign Dignitaries, Opening Ceremonies, Poem, Oration, Amusing Survey of All Departments, Incidents, Etc., Etc.Cohen, David Solis
History
Our Show: A Humorous Account of the International Exposition in Honor of the Centennial Anniversary of American Independence, from Inception to Completion, Including Description of Buildings, Biographies of Managers, Receptions of Foreign Dignitaries, Opening Ceremonies, Poem, Oration, Amusing Survey of All Departments, Incidents, Etc., Etc.
He always displayed a remarkable fondness for school. He could often be
found there an hour after all the rest of the pupils had gone home. His
teacher was especially fond of him. “Frequently,” said she to us, with
tears in her eyes, “frequently did I lay him across my knee to more
readily display the affection with which I regarded him.”
When he was not at school he was engaged in the noble work of repairing
and paying for the window panes his companions had smashed; in replacing
fruit upon the trees from which they had stolen it, and in going to
church and praying for their regeneration.
His manners always continued engaging. Unimpressible police officers
have been known to form an attachment for him, the more remarkable as he
never encouraged their sociability.
After essaying many learned professions, he finally concluded that his
_forte_ lay in the profession of being a rich man. He bought a farm near
Camden, planted Kelley’s patent inflation bill, and raised money in that
primitive fashion. After passing the meridian of life in honor and
righteousness, the devil put evil thoughts in his mind, and he embraced
the legal profession, to which he is still united.
His front elevation is very imposing. His face is somewhat in the
Corregio style, with Roman nasal appendage and Grecian earwings, doing
much credit to the architect who designed him. He is finished with a
double action expanding chest, with corrugated windpipes, and he stands
on two seventeen inch pedestals cased in patent leather. He was on
exhibition during the entire continuance of the exposition.
Of the early days of
MRS. EMMA D. E. N. GILLESPIE,
but little is accurately known. Though historians agree upon essential
points, there are many of those conflicting side issues which always
arise from a multiplicity of traditions. We know, however, that at her
birth she was taken under the especial patronage of the Fairy
“Bookotheopera,” who endowed her with all the virtues in that fairy’s
_repertoire_, and presented her with a beautiful purple pincushion with
~“Welcome, Little Stranger,”~
blazing in the brass heads of the pins which it contained. It is still
in her possession.
[CENTENNIAL MYTHOLOGY.]
She has performed many noteworthy deeds in addition to those connected
with the Centennial. ’Tis true, she never fooled with asps or indulged
in pearl cock-tails like Cleopatra; nor did she act as a spy during the
war like Major Charlotte Cushman, but her quarrel with Neptune
concerning the right of giving a name to Cecropia (_Horat._ 1, _od._
16), deserves as much attention as either of the above performances.
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