Our Show: A Humorous Account of the International Exposition in Honor of the Centennial Anniversary of American Independence, from Inception to Completion, Including Description of Buildings, Biographies of Managers, Receptions of Foreign Dignitaries, Opening Ceremonies, Poem, Oration, Amusing Survey of All Departments, Incidents, Etc., Etc.Cohen, David Solis
History
Our Show: A Humorous Account of the International Exposition in Honor of the Centennial Anniversary of American Independence, from Inception to Completion, Including Description of Buildings, Biographies of Managers, Receptions of Foreign Dignitaries, Opening Ceremonies, Poem, Oration, Amusing Survey of All Departments, Incidents, Etc., Etc.
Of course _they_ were not aware of anything out of the way in their get
up, but Mr. Goshorn said that rather than have the thing occur again, he
would sacrifice himself on the altar of propriety, and be eaten. His
brother commissioners encouraged him in this resolve.
Immediately after the Foreign Divisions, came the “National Centennial
Guards,” formed of companies from the thirteen original States. They
were headed by Generals Grant, Sherman, Butler, and Hartranft, and were
followed by the Centennial Commissioners in barouches.
The Commissioners were paired off with foreign civil dignitaries and
potentates. The Prince of Wales was inveigled into a carriage with two
of our city officials: he left for home next day. Queen Victoria (his
mother) enjoyed the society of the Chief of the Fire Department: she
remained until the close of the Exposition.
One carriage was cheered vociferously. It contained Vice-President
Wilson, Mr. Jefferson Davis, Simon Cameron, and Robert Toombs.
The American divisions, which included companies and regiments from
every State and city in the Union, succeeded the barouches. A great many
of these organizations brought their own bands with them, or as the
saying is, “blew their own horns,” but many others depended upon the
well-known musical resources of Philadelphia. They discovered that
delays were dangerous. They had to do the best they could.
The “Duquesne Greyhounds,” of Pittsburgh, were preceded by Signor
Maccaroni’s band--two harps and a female violinist, while the
“Charleston Fusileers” were obliged to fusileer to the strains of seven
jews-harps, kindly volunteered by juvenile American talent.
A noticeable company was the “Palmetto Guards,” of South Carolina,
dressed in dusters and straw hats, and bearing palm-leaf fans. The
“Ancient Artillery,” of Boston, thorough sons of guns, every man of
them, also attracted much attention. Their step was the Boston glide.
The “Norfolk Blues” and the “Virginia Carbuncles” entered upon the march
with highly polished rifles and well filled canteens. Their rifles were
still highly polished when the march was over.
The “Seventh Regiment,” of New York, composed entirely of officers, was
much applauded. Its discipline was apparent in its style of marching and
the waxed moustaches of its members.
The brigade of American Indians was under the command of General
Sheridan. The warriors were conveniently and economically uniformed in
blankets. Each chief had his initials plainly visible upon the corner of
his blanket. By a strange coincidence, almost a fatality, the initials
of the name of every man in the brigade were the same letters--U and S.
[Illustration]
[THE “LITTLE DEARS.”]
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