Our Show: A Humorous Account of the International Exposition in Honor of the Centennial Anniversary of American Independence, from Inception to Completion, Including Description of Buildings, Biographies of Managers, Receptions of Foreign Dignitaries, Opening Ceremonies, Poem, Oration, Amusing Survey of All Departments, Incidents, Etc., Etc. — John Shaqi
Our Show: A Humorous Account of the International Exposition in Honor of the Centennial Anniversary of American Independence, from Inception to Completion, Including Description of Buildings, Biographies of Managers, Receptions of Foreign Dignitaries, Opening Ceremonies, Poem, Oration, Amusing Survey of All Departments, Incidents, Etc., Etc.Cohen, David Solis
History
Our Show: A Humorous Account of the International Exposition in Honor of the Centennial Anniversary of American Independence, from Inception to Completion, Including Description of Buildings, Biographies of Managers, Receptions of Foreign Dignitaries, Opening Ceremonies, Poem, Oration, Amusing Survey of All Departments, Incidents, Etc., Etc.
This century being buried in that popular mausoleum, the vast ocean of
eternity, a universally expressed desire to celebrate the nation’s
centennial birthday in a style befitting its present power and
importance, gradually assumed the form of an International Exposition,
to be held during six months of the year 1876. Philadelphia was selected
as the site, partly on account of historical associations and the
proprietorship of the cracked bell, but principally to gratify the
inhabitants of the adjoining Dutch settlement, New York.
[CONGRESSIONAL MODESTY.]
Congress was naturally appealed to for countenance and assistance.
Unfortunately, however, Congress, having bestowed all its material aid
upon railroad and steamship subsidies, had nothing but its moral support
to offer. Having a large stock of this commodity, it was tendered with
the usual modesty and circumspection which marks the action of that body
in national affairs. The President was authorized to invite the world to
the Exposition--without expense to Congress. Philadelphia was granted
permission to hold the Exposition--without expense to Congress; each
State was allowed the privilege of appointing a commission--without
expense to Congress; and, to be brief, the economic representatives of
the people resolved that these United States might go in and have a good
time generally--without expense to Congress.
Jubilant with this encouragement, the State Commissioners organized an
Executive Committee, which appointed a Board of Finance, and auxiliary
committees upon everything and anything, including mining, manufactures,
calisthenics, art, science, primogeniture, horticulture, pisciculture,
agriculture, infanticulture, and hydrostatics. City committees were
constituted. These were jobbed out to wards, and again sublet to
precincts, through which domestic juntas were established in every
household. Thus the voice of the people woke the echoes of the capitol,
and reverberated to the furthermost corners of the universe.
[GEE UP DOBBINS!]
The Building Committee immediately contracted with Mr. Richard J.
Dobbins (the inventor of Dobbins’ electric soap) for the construction of
THE MAIN EXHIBITION HALL.
He agreed to furnish the very first quality of soapstone for the
masonry, and to use Castile only, for the girders. The following were
the chief points of the contract:--
1st. The building to form a parallelopipedon, in order to secure the
choicest location to each exhibitor.
2d. To be thoroughly waterproof. Dr. McFadden of the _Aqua Fontana_
department, and several other eminent surgeons, to fill it up to the
ceiling as a test previous to the opening. The contractors to take it
back if the test proved unsatisfactory.
3d. The walls to be of gutta percha; to be distributed after the closing
of the exhibition to the pupils of the public schools for chewing and
erasing purposes.
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