Our Square and the People in ItAdams, Samuel Hopkins
General
Our Square and the People in It
Adams, Samuel Hopkins
New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Short stories
When she came within view, the matter was apparently settled. A swarthy,
vividly clad woman cringed against one wall. Against the other Cyrus had
pinned a swarthier man. The man, helpless, seemed to be wheedling and
promising. With a final shake and a growl--the girl likened it in her
mind to that of a great, magnanimous dog--the gaunt one released
the Sicilian and stopped to pick up his hat, which had fallen in the
struggle. Then the girl's heart leaped and clogged her throat with
terror, for, as Cyrus turned, the pretense fell from the face of his
opponent and it changed to a mask of murder. His hand darted to his
breast and came forth clutching the thin, terrible, homemade stiletto of
the rag-picking tribe, a file ground to a rounded needle-point. The girl
strove to cry out. It seemed to her only the whisper of a nightmare. But
it was enough.
Cyrus spun around and leaped back. His arm went out stiff as a bar.
At the end of it was a formidable something which flashed with an
ugly glint of metal in the Sicilian's face. Whether or not she heard
a report, the terror-stricken onlooker could not have said. But the
would-be murderer screamed, tottered, withered. His weapon tinkled upon
the coping. Then an arm of inordinate size and strength encircled the
Bonnie Lassie, whirled her up out of a pit of blackness, and supported
her through a reeling world. At her ear a quietly urgent voice kept
insisting that she must walk--walk--walk, and not let herself lapse. A
shock jolted her brain. It was the smell of ammonia. The darkness
dissipated, became an almost intolerable light, and she found herself
seated opposite Cyrus the Gaunt at a polished metal table in an ice cream
parlor.
[Illustration: Whirled her out of a pit of darkness 064]
“Don't let go of my hand,” she whispered faintly.
His big, reassuring clasp tightened. “We got away before the crowd
came,” he said. “You have wonderful nerve. I thought you were gone.”
“Don't speak of it,” she shuddered. “I can't stand it.”
Not until, after a slow, silent walk, they were seated on a bench in Our
Square could she gather her resolution for the dreadful question. “Did
you kill him?”
“Good Lord, no!”
Whirled her up out of a pit of blackness, and supported her through a
reeling world.
“But--but--you shot him!”
“Yes, with this.” He thrust his hand in his pocket, and again, as
she closed her eyes against the sight, she caught faintly the pungent
stimulus that had revived her.
“What is it?”
“Ammonia-pop. Model of my own.” Her eyes flew open, the color flooded
into her cheeks, but receded again. “He might have killed you!” she
exclaimed. “I thought when you turned away and I saw the dagger that--
Oh, how could you take such a desperate chance?”
“Just fool-in-the-head, I guess. I supposed he was through. Don't know
that breed, you see. But for you, he'd have got me.”
“But for _you_,” she retorted, “I don't know what might have happened to
me. How came you to be down in that slum?”
Public-domain text, read in full here on John Shaqi.
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