Our Square and the People in ItAdams, Samuel Hopkins
General
Our Square and the People in It
Adams, Samuel Hopkins
New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Short stories
Suddenly--miracle of miracles!--he felt those soft, strong hands on his
arm, and heard her sobbing appeal: “Oh, Cyrus! Aren't you ever going to
smile at me inside again?”
His arms went out. The Bonnie Lassie's hands slipped up to his shoulder.
The flower-face pressed, close and cold and sweet, against his.
[Illustration: Her hands slipped to his shoulder 110]
“Love of my heart!” he cried, “I'll never do anything else all my life
long.”
Summer is tyrant in Our Square now. The leaves droop, flaccid and dusty,
on the trees, and the sun gives a shrewish welcome to the faithful
who still cling to the benches. Gone is Cyrus's chariot of flame and
thunder. The work is done. Gone, too, is Cyrus, and with him the Bonnie
Lassie, after a wedding duly set forth with much pomp and splendor in
the public prints. Among those present was Our Square.
So now the little, quaint, old, friendly house stands vacant, with eager
sunbeams darting about it in search of entry. Vacant but not cheerless,
for behind the panes, against which the Bonnie Lassie once pressed
her sorrowful face, troop the elfin company of her dream-children, the
dancing figurines. Cyrus the Gaunt would have it so. He deeded her the
house as a wedding-gift, that the happy dancers might remain with us
lonely and unforgetting folk. They are the promise that one day Our
Bonnie Lassie will come back to Our Square.
THE CHAIR THAT WHISPERED
An Idyl of Our Square
SPRING was in Our Square when I first saw the two of them. They sat on a
bench under the early lilacs. It must have been the beginning of it all
for them, I think, for there was still a dim terror in her face, and he
gestured like one arguing stormily. At the last she smiled and drew a
cluster of the lilac bloom down to her cheek. It was not deeper-hued
than her eyes, nor fresher than her youth. They rose and passed me,
alone on my bench, and I, who am wise in courtships, having watched so
many bud and blossom on the public seats of Our Square, saw that this
was no wooing, but some other persuasion, though what I could not guess.
So those two drifted out of sight; out of mind, too, for life in our
remote, unconsidered, and slum-circled little park is a complex and
swiftly changing actuality, and it crowds in with many pressures upon a
half-idle old pedagogue like myself. It was the Little Red Doctor
who, weeks later, recalled the episode, one blistering evening of the
summer's end. He captured me as I emerged from the “penny-circulator”
with my thumb in a book.
“What are we ruining our eyes with to-night?” he demanded.
I held up the treasure.
“'Victory,'” he read. “Good! He'll like Conrad.”
Perceiving what was expected, I fulfilled the requirements by asking:
“Who will like Conrad?”
“The Gnome.”
I remembered that I had not seen Leon Coventry since the day he passed
me with the girl who had youth and spring and terror in her face.
“Am I to loan it to him?”
“You're to read it to him.”
“When?”
Public-domain text, read in full here on John Shaqi.
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