Our Square and the People in ItAdams, Samuel Hopkins
General
Our Square and the People in It
Adams, Samuel Hopkins
New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Short stories
Hermann looked. He looked from the gallant tricolor to the words below,
and one phrase stood forth and went to his heart. “_Mort dans la gloire
pour la patrie: Robert Humain_.”
Jonathan's fingers crept to David's knee and clung there. David's hand
went to Jonathan's shoulder. The two old heads sagged lower and lower
and closer and closer.
And Terry the Cop, who had crossed the street in five leaps with the
liveliest anticipation of trouble in the first degree, took one look,
turned hastily away, and huskily commanded a storm-beaten sparrow in the
path to move on.
ORPHEUS
Who Made Music in Our Square
A PLAYWRIGHT named Euripides was the means of bringing us together. He
sat hunched upon a bench in Our Square--not Euripides, of course, but
this strange disciple of his--over a little book. When the church clock
struck twelve he arose and unfolded himself to preposterous lengths. He
stepped casually over a four-foot wire, strode across forbidden grass
plots, and leaned pensively against the northern boundary fence.
Although it was a six-foot fence, he jutted considerably above it. I
glanced from him back to the bench he had just quitted. There lay his
book. I picked it up. It was “The Bacchae.” In the original, if you
please!
Now, to find a gigantic and unexplained stranger in the metropolitan
hurry and stress of Our Square perusing the classic version of the very
'Greekest and most mystic of dramas, by the spluttering ray of Jove's
own lightning pent up and set to work in a two-by-one frosted globe at
so many cents per kilowatt, is a startling experience for a quiet, old
semi-retired pedagogue like myself. I pocketed the volume (which was in
a semiuncial text like running tendrils) and sat down to consider its
owner. Another of the Thunderer's bottled bolts diffused its light
where he now stood, and set forth his face. It was young and comely and
gallant, with a wrapt, intent melancholy; the face of a seeker, baffled
but still defiant of despair. It seemed to be turned toward a star that
I could not see.
I sat and waited for Terry the Cop to arrive on his stated rounds. If
that shrewd young guardian of the local peace did not already know about
the classical stranger, he could be depended upon to find out. When his
heavy tread paused before my bench I indicated the trespassing giant.
“Terry,” said I, “what is that?”
“That,” replied Terry promptly, “is a Nut.”
“Where does it come from?”
“Search me, dominie. It just kinda drops in.”
“Often?”
“Every night.”
“Why haven't I seen it before?”
“You hit the hay too early. This bird is an owl, and it don't begin to
hoot till late.”
“Hoot?” I repeated. Terry's symbolism sometimes tends to the obscure.
“Stick around a few minutes,” advised the wise young policeman, “and
you'll hear something.”
“Is he an amateur astronomer?” I asked. “Or what is it he is staring
at?”
Terry pointed. “Look between those two roofs. See a little light, way up
there?” I did. “That's it. That's the window.”
Public-domain text, read in full here on John Shaqi.
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