Our Square and the People in ItAdams, Samuel Hopkins
General
Our Square and the People in It
Adams, Samuel Hopkins
New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Short stories
“Wrong! All wrong!” she cried vehemently, disregarding his question.
“Why did you have to go and smile that way? I haven't done you at all.
Do you know what I've been sculping you as?”
“You wouldn't tell me, you know. Nothing very flattering, I judged.”
“As a disenchanted and uncontrolled drifter.”
“And now you think perhaps I'm not?”
“I don't know what you are, but I think I might as well be clicking the
shutter of a camera, for all I've done with you. The point is, that I've
come to the end of you for the present.”
“You don't want me any more?” he cried, aghast.
“If I did, you wouldn't have time. I've got you a real man's job.”
“What kind of slavery have you sold me into this time?”
“The steam-roller. I've used my influence--you don't know what a pull
I've got around here--and I can name my man for the late night-shift.
Will you take it?” His face was elate. “Will I take it! Will a duck eat
pie?”
“I'm sure I don't know. Will it?”
“It will if it can't get anything else to eat. How long is this job good
for?”
“All summer and more. How long are you?”
“Till released.”
“You have made a promise. I'll enter it in my ledger.” Which she did,
writing it down in her absurd little booklet with a delicious solemnity
of importance.
“But can't I come and sit for you afternoons?” he pleaded.
“How many wages do you want to earn? No; not at present. But Miss Fluff
and I are at home to honest working friends on Friday evenings. Come
here, Miss Fluff, and tell the new engineer that we'll be glad to have
him come and tell us about the job when he's learned it.” But the
kitten paid no heed, being at that moment engaged in treacherously and
scientifically stalking an imaginary butterfly along the window-sill.
“Before I'm banished,” said Cyrus, “may I ask a question?”
“You might try it.”
“Do you mind telling me your given name? Not for use,” he added, as
she looked up at him with her grave, speculative gaze, “but just as
a guaranty of good faith. I set great store by other people's names,
having been cursed since birth with my own Persian abomination.”
“I don't think Cyrus is bad at all,” she said. “Mine is Carol.”
“Oh,” said he blankly.
“Don't you like it?”
“It's a very nice name, for some people,” he said guardedly.
“You don't like it. Why?”
There was no evading the directness of that demand. “I never knew but
one girl named Carol,” he said. “She squinted.”
“What of it? I don't squint. Do I? Do I? DO I?”
With each repetition of her defiance she took one step nearer him, until
at the last she was fairly standing on tiptoe under his nose. Cyrus the
Gaunt looked down into those radiant eyes that grew wider and deeper and
deeper and wider, until his heart, which had been slipping perilously of
late, fell into them and was hopelessly lost. “Do I?” she demanded once
more.
Public-domain text, read in full here on John Shaqi.
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