Our Square and the People in ItAdams, Samuel Hopkins
General
Our Square and the People in It
Adams, Samuel Hopkins
New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Short stories
Her little foot tapped the ground as it had on the unforgettable
occasion of that first interview. The Meanest Man in Our Square
winced. Molly saw it, and her eyes grew, tender, but her tone was still
uncompromising. “What am I discharged for?”
Silence.
“For not being old enough to be your housekeeper?” She looked the merest
wisp of a girl with her color coming and going as she spoke.
He muttered something undistinguish-able.
“For not being ugly enough?” And she contrived to look bewilderingly
pretty.
“Why do you plague me, Molly?” he burst out.
She pointed a finger at his chin. “I dare ye, Miles Morse,” she said,
her voice fluttering in her throat, for all her audacious words; “I dare
ye to discharge me. For all ye're called the Meanest Man in Our Square,
ye wouldn't be that mean as to send me away from ye!”
And, with the finger still leveled, she walked' straight to him and was
caught and held close to the sober and respectable black coat.
“I'd never dared have asked you, Molly,” said Miles Morse in the voice
of one who walks ecstatic amid the wonders of a dream.
“Don't I know that!” she retorted. And then, with a quiver: “Oh, Miles,
it's I will make it up to you for that sand-and-spool firecracker!”
Opening her morning mail on the following day, the Bonnie Lassie (for
whose schemes and stratagems the stars in their courses fight) gave
a little cry and let a bit of paper slip through her fingers. Quickly
retrieving it, she turned it over to Cyrus the Gaunt. It was the
promised check of Mr. Miles Morse to the Legal Aid Society. Between
the words “ten” and “dollars” was a caret, and, above, the added word
“hundred” with an indorsement. The signature had also undergone an
addendum. It now read: “Miles Morse, per Mrs. M. M. M.”
The Meanest Man in Our Square had abdicated.
PAULA OF THE HOUSETOP
Public-domain text, read in full here on John Shaqi.
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