WHAT first struck you about the house was that it frowned. Not angrily, but with a kind of dull scorn. Perhaps this was its way of emphasizing its superior aloofness from the other houses in Our Square which had gone down in the social scale while it maintained its aristocracy untainted. It was squat and broad and drab, like the first Varick who had built it, and the succeeding Varicks who had inherited and dwelt in it even to the sixth and seventh generations. Being numbered 13, it would naturally have a sinister repute; and this was not improved by the two suicides which had marked its occupancy; suicides not of despair or remorse or fury, but of cold, grim disgust. Then there was the episode of old Vernam Varick, who dabbled in diabolical mixtures in his secret room on the third floor front under the tutelage of no less an instructor than the Devil, and, having quarreled with Old Nick over a moot point in alchemy, chased him out of the window and followed, himself, to the accompaniment of a loud and sulphurous detonation. What became of His Satanic Majesty has never been properly determined, but old Ver-nam arrived upon the pavement in due time, crumpled up, and thereafter circulated in a wheeled chair, sniffing about after real-estate investments to pass the time. He it was whose purchases of uptown property (when anything above Forty-second Street was “uptown”) severely reprehended by the rest of the clan, subsequently reestablished the Varick fortunes, piling up riches beyond the imagination of Our Square. Except that he had more imagination, he was a pattern of all the Varicks, each broad and squat of architecture like the house they dwelt in; each, if possible, more crabbed and pigheaded and stupidly haughty than his predecessor. In time, his son, heritor of the qualities of the breed, grew up and married. And then the dull generations burst into flower in Paula Varick. So the Varicks put her in a cage. Old Vernam built the cage out of gas pipe and thick-meshed wire and established it on the roof. From my front window, looking diagonally across Our Square, I command a view of it. How well I remember the day that little Paula was put into it! A black-and-white-banded nurse led her in by the hand, held up an admonitory finger for half a minute of directions, and disappeared down the scuttle door, leaving her alone in a remote world. One might have expected the little girl to cry. She didn't. She set about playing, like a happy little squirrel. Presently there floated across the tree-tops a strange and alien sound for that grim mansion to be making--a sweet, light, joyous, childish piping. The little Paula was singing.