England -- Social life and customs -- 19th century -- Fiction
He entertains us with stories of storms which he, Bragg, encountered--of
dinners which he, Bragg, has received from the Governor-General of
India--of jokes which he, Bragg, has heard; and however stale or odious
they may be, poor Mrs. B. is always expected to laugh.
Woe be to her if she doesn’t, or if she laughs at anybody else’s jokes.
I have seen Bragg go up to her and squeeze her arm with a savage grind
of his teeth, and say, with an oath, “Hang it, madam, how dare you laugh
when any man but your husband speaks to you? I forbid you to grin in
that way. I forbid you to look sulky. I forbid you to look happy, or to
look up, or to keep your eyes down to the ground. I desire you will not
be trapesing through the rooms. I order you not to sit as still as a
stone.” He curses her if the wine is corked, or if the dinner is
spoiled, or if she comes a minute too soon to the club for him, or
arrives a minute too late. He forbids her to walk, except upon his arm.
And the consequence of his ill-treatment is, that Mrs. Cammysole and
Mrs. Bragg respect him beyond measure, and think him the first of human
beings.
“I never knew a woman who was constantly bullied by her husband who did
not like him the better for it,” Miss Clapperclaw says. And though this
speech has some of Clapp’s usual sardonic humour in it, I can’t but
think there is some truth in the remark.
[Illustration: A STUDIO IN OUR STREET.]
LEVANT HOUSE CHAMBERS.
MR. RUMBOLD, A.R.A., AND MISS RUMBOLD.
When Lord Levant quitted the country and this neighbourhood, in which
the tradesmen still deplore him, No. 56, known as Levantine House, was
let to the Pococurante Club, which was speedily bankrupt (for we are too
far from the centre of town to support a club of our own); it was
subsequently hired by the West Diddlesex Railroad; and is now divided
into sets of Chambers, superintended by an acrimonious housekeeper, and
by a porter in a sham livery, who, if you won’t find him at the door,
you may as well seek at the Grapes public-house, in the little lane
round the corner. He varnishes the japan-boots of the dandy lodgers;
reads Mr. Pinkney’s _Morning Post_ before he lets him have it; and
neglects the letters of the inmates of the Chambers generally.
The great rooms, which were occupied as the salons of the noble Levant,
the coffee-rooms of the Pococurante (a club where the play was furious,
as I am told), and the board-room and manager’s-room of the West
Diddlesex, are tenanted now by a couple of artists; young Pinkney the
miniaturist, and George Rumbold the historical-painter. Miss Rumbold,
his sister, lives with him, by the way; but with that young lady of
course we have nothing to do.
Public-domain text, read in full here on John Shaqi.
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