Country life -- England -- Fiction; Pastoral fiction; Villages -- England -- Fiction
her in beauty and strength, in playfulness, and almost in sagacity, and
reigns over the animal world as she over the human. They are both coming
with me, Lizzy and Lizzy's 'pretty May.' We are now at the end of the
street; a cross-lane, a rope-walk shaded with limes and oaks, and a cool
clear pond overhung with elms, lead us to the bottom of the hill. There
is still one house round the corner, ending in a picturesque wheeler's
shop. The dwelling-house is more ambitious. Look at the fine flowered
window-blinds, the green door with the brass knocker, and the somewhat
prim but very civil person, who is sending off a labouring man with sirs
and curtsies enough for a prince of the blood. Those are the curate's
lodgings--apartments his landlady would call them; he lives with his
own family four miles off, but once or twice a week he comes to his neat
little parlour to write sermons, to marry, or to bury, as the case may
require. Never were better or kinder people than his host and hostess;
and there is a reflection of clerical importance about them since
their connection with the Church, which is quite edifying--a decorum,
a gravity, a solemn politeness. Oh, to see the worthy wheeler carry the
gown after his lodger on a Sunday, nicely pinned up in his wife's best
handkerchief!--or to hear him rebuke a squalling child or a squabbling
woman! The curate is nothing to him. He is fit to be perpetual
churchwarden.
We must now cross the lane into the shady rope-walk. That pretty white
cottage opposite, which stands straggling at the end of the village in
a garden full of flowers, belongs to our mason, the shortest of men,
and his handsome, tall wife: he, a dwarf, with the voice of a giant; one
starts when he begins to talk as if he were shouting through a speaking
trumpet; she, the sister, daughter, and grand-daughter, of a long line
of gardeners, and no contemptible one herself. It is very magnanimous in
me not to hate her; for she beats me in my own way, in chrysanthemums,
and dahlias, and the like gauds. Her plants are sure to live; mine have
a sad trick of dying, perhaps because I love them, 'not wisely, but too
well,' and kill them with over-kindness. Half-way up the hill is another
detached cottage, the residence of an officer, and his beautiful family.
That eldest boy, who is hanging over the gate, and looking with such
intense childish admiration at my Lizzy, might be a model for a Cupid.
Public-domain text, read in full here on John Shaqi.
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