Country life -- England -- Fiction; Pastoral fiction; Villages -- England -- Fiction
and meadows, and an old farmhouse, with pointed roofs and clustered
chimneys, looking out from its blooming orchard, and backed by woody
hills. The common is itself the prettiest part of the prospect; half
covered with low furze, whose golden blossoms reflect so intensely the
last beams of the setting sun, and alive with cows and sheep, and two
sets of cricketers; one of young men, surrounded by spectators, some
standing, some sitting, some stretched on the grass, all taking a
delighted interest in the game; the other, a merry group of little boys,
at a humble distance, for whom even cricket is scarcely lively enough,
shouting, leaping, and enjoying themselves to their hearts' content. But
cricketers and country boys are too important persons in our village
to be talked of merely as figures in the landscape. They deserve an
individual introduction--an essay to themselves--and they shall have it.
No fear of forgetting the good-humoured faces that meet us in our walks
every day.
WALKS IN THE COUNTRY.
Frost.
January 23rd.--At noon to-day I and my white greyhound, Mayflower,
set out for a walk into a very beautiful world,--a sort of silent
fairyland,--a creation of that matchless magician the hoar-frost. There
had been just snow enough to cover the earth and all its covers with one
sheet of pure and uniform white, and just time enough since the snow had
fallen to allow the hedges to be freed of their fleecy load, and clothed
with a delicate coating of rime. The atmosphere was deliciously calm;
soft, even mild, in spite of the thermometer; no perceptible air, but
a stillness that might almost be felt, the sky, rather gray than blue,
throwing out in bold relief the snow-covered roofs of our village,
and the rimy trees that rise above them, and the sun shining dimly as
through a veil, giving a pale fair light, like the moon, only brighter.
There was a silence, too, that might become the moon, as we stood at our
little gate looking up the quiet street; a Sabbath-like pause of work
and play, rare on a work-day; nothing was audible but the pleasant
hum of frost, that low monotonous sound, which is perhaps the nearest
approach that life and nature can make to absolute silence. The very
waggons as they come down the hill along the beaten track of crisp
yellowish frost-dust, glide along like shadows; even May's bounding
footsteps, at her height of glee and of speed, fall like snow upon snow.
Public-domain text, read in full here on John Shaqi.
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