Country life -- England -- Fiction; Pastoral fiction; Villages -- England -- Fiction
Ah! here is the shameless villain Saladin, the cause of the commotion,
thrusting his slender nose into my hand to beg pardon and make up! 'Oh
wickedest of soldans! Most iniquitous pagan! Soul of a Turk!'--but there
is no resisting the good-humoured creature's penitence. I must pat him.
'There! there! Now we will go to the copse; I am sure we shall find no
worse malefactors than ourselves--shall we, May?--and the sooner we
get out of sight of the sheep the better; for Brindle seems meditating
another attack. Allons, messieurs, over this gate, across this meadow,
and here is the copse.'
How boldly that superb ash-tree with its fine silver bark rises from the
bank, and what a fine entrance it makes with the holly beside it, which
also deserves to be called a tree! But here we are in the copse. Ah!
only one half of the underwood was cut last year, and the other is
at its full growth: hazel, brier, woodbine, bramble, forming one
impenetrable thicket, and almost uniting with the lower branches of the
elms, and oaks, and beeches, which rise at regular distances overhead.
No foot can penetrate that dense and thorny entanglement; but there is
a walk all round by the side of the wide sloping bank, walk and bank and
copse carpeted with primroses, whose fresh and balmy odour impregnates
the very air. Oh how exquisitely beautiful! and it is not the primroses
only, those gems of flowers, but the natural mosaic of which they form
a part; that network of ground-ivy, with its lilac blossoms and the
subdued tint of its purplish leaves, those rich mosses, those enamelled
wild hyacinths, those spotted arums, and above all those wreaths of ivy
linking all those flowers together with chains of leaves more beautiful
than blossoms, whose white veins seem swelling amidst the deep green
or splendid brown;--it is the whole earth that is so beautiful! Never
surely were primroses so richly set, and never did primroses better
deserve such a setting. There they are of their own lovely yellow, the
hue to which they have given a name, the exact tint of the butterfly
that overhangs them (the first I have seen this year! can spring really
be coming at last?)--sprinkled here and there with tufts of a reddish
purple, and others of the purest white, as some accident of soil affects
that strange and inscrutable operation of nature, the colouring of
flowers. Oh how fragrant they are, and how pleasant it is to sit in this
sheltered copse, listening to the fine creaking of the wind amongst the
branches, the most unearthly of sounds, with this gay tapestry under our
feet, and the wood-pigeons flitting from tree to tree, and mixing the
deep note of love with the elemental music.
Public-domain text, read in full here on John Shaqi.
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