Wynne Rendall took his chocolate and immersed his roll therein with all
the skill of a Parisian, and later, in a very rapturous frame of mind,
crossed the Seine by the Pont des Arts and made his way to the Rue du
Dragon. He had no difficulty in discovering the Atelier Julien, and
addressing himself to a bearded and aproned old gentleman who sat on a
high stool in a very small office.
He had feared there might be difficulty in gaining admission, since he
could claim no previous experience of the plastic arts, but in this his
misgivings proved groundless. It was merely a matter of paying one’s
fee—a small fee at that—and taking one’s place.
Asked if he had any choice of masters, he shook his head. He was placed
therefore under the guardianship of Le Maître Jean Paul Laurens, a man
“both strong and brilliant,” whose studio was on the first floor.
Since he desired to spend the day seeing Paris, and purchasing colours
and canvas, Wynne decided he would not start work until the morrow.
“Bien; demain matin à huit heures! Très bien. Au ’voir.”
III
It was splendid to reflect that he was a full-blown student of the
Quartier, thought Wynne, as with ringing steps he swung along the narrow
thoroughfares. He wished Uncle Clem had been there to witness his glory.
Never before had he felt so confident of his own personality. Rivulets
of water danced and chattered along the gutters reflecting the gladness
of his mood—the sun shone gloriously on the tall white houses. Quaint
old men with baskets of merchandise piped beseechingly on tiny horns.
Thousands of purple-dyed eggs filled the shop windows, and the
wonderful, everchanging, raffish, homely crowds chattered, gesticulated
and hurried along in ceaseless streams.
Wynne was possessed with a foolish desire to shake hands with every one
he met, and tell them all about himself; to explain why he had come, and
to give them a glimpse of the workings of his many-sided nature. A
measure of common sense dissuaded him from so doing, but he sang as he
walked, and expanded his narrow chest to its fullest capacity. Presently
he found himself by the riverside, and hovered awhile over the
book-sellers’ stalls perched on the stone copings of the embankment. At
one of these he bought a translation of Shakespeare’s works, an old
volume of Balzac, and some paper-bound copies of the plays of Molière.
It was the first time he had rummaged among books, and the experience
was delightful. The mere touch of them sent a thrill of learning through
his being.
For awhile he hovered by the riverside watching the energetic
steamboats—the sober barges—and the great floating warehouses moored
by the tow-path. Everywhere were people sketching—placid and
preoccupied. No crowds of curious urchins jostled around them with
stupid comments, as was always the case at home when any one had the
temerity to bring their colour-box into the open day.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account