with the jargon of the negroes, while the mules claimed a right to
do likewise. In the cabins near the mansion another scene of fixing,
fussing, toddling, chattering, running here and there with
sun-slouches, white aprons, fans, shades, baskets, and tin pans,
presented itself; any sort of vessel that would hold provender for
the day was being brought forth. Clotilda, her face more cheerful,
is dressed in a nice drab merino, a plain white stomacher, a little
collar neatly turned over: with her plain bodice, her white ruffles
round her wrists, she presents the embodiment of neatness. She is
pretty, very pretty; and yet her beauty has made her the worst
slave-a slave in the sight of Heaven and earth! Her large, meaning
eyes, glow beneath her arched brows, while her auburn hair, laid in
smooth folds over her ears and braided into a heavy circle at the
back of her head, gives her the fascinating beauty of a Norman
peasant. Annette plays around her, is dressed in her very best,--for
Marston is proud of the child's beauty, and nothing is withheld that
can gratify the ambition of the mother, so characteristic, to dress
with fantastic colours: the child gambols at her feet, views its
many-coloured dress, keeps asking various unanswerable questions
about Daddy Bob, Harry, and the pic-nic. Again it scrambles
pettishly, sings snatches of some merry plantation song, pulls its
braided hat about the floor, climbs upon the table to see what is in
the basket.
Passing to the cabin of Ellen Juvarna, we see her in the same
confusion which seems to have beset the plantation: her dark,
piercing eyes, display more of that melancholy which marks
Clotilda's; nor does thoughtfulness pervade her countenance, and yet
there is the restlessness of an Indian about her,--she is Indian by
blood and birth; her look calls up all the sad associations of her
forefathers; her black glossy hair, in heavy folds, hangs carelessly
about her olive shoulders, contrasting strangely with the other.
"And you, Nicholas! remember what your father will say: but you must
not call him such," she says, taking by the hand a child we have
described, who is impatient to join the gay group.
"That ain't no harm, mother! Father always is fondling about me when
nobody's lookin'," the child answers, with a pertness indicating a
knowledge of his parentage rather in advance of his years.
Public-domain text, read in full here on John Shaqi.
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