Africans -- France -- Fiction; France -- Fiction; Race relations -- Fiction; Women, Black -- Fiction
However, constant reading, and, above all, the study of the poets,
began to inflame my young imagination. My thoughts sometimes wandered
upon my own future life; but with the confidence natural in youth, I
felt assured that I should always be happy with my benefactress. Her
tenderness towards me, and the bewitching life I led, contributed to
confirm my error. A single instance will show the pride she took in me.
You will perhaps scarcely believe that my shape was once remarkable
for its beauty and elegance. Madame de B. often boasted of my grace,
and had been anxious to have me dance well. Under pretext of giving a
ball for her grandchildren, she resolved to show off my talent in a
quadrille, representing the four parts of the world, in which I was to
perform Africa. Travellers were consulted, books of costume resorted
to, and works read upon African music and dancing: at last the Comba,
a national dance of my own country, was fixed upon. My partner put
a crape over his face. Alas! I had no need of any to blacken mine;
but this was far from my thoughts, they were wholly engrossed by the
pleasures of the ball. I danced the comba with the greatest success,
as might be expected, from the novelty of the spectacle, and the choice
of spectators, who were all friends of my protectress, and to please
her, gave way to the most enthusiastic applause. The dance was in
itself sufficiently attractive, being composed of graceful attitudes
and measured steps, expressing love, grief, triumph, and despair. I was
totally ignorant of these violent passions; yet from instinct I guessed
them, and my imitation succeeded. I was surrounded by an applauding
assembly, and overwhelmed with praise. This was a pleasure that I
enjoyed in the most perfect security. It was my last.
* * * * *
A few days after this ball had taken place, I overheard by chance a
conversation, which awakened me to the truth, and at once put an end to
my youth.
* * * * *
Public-domain text, read in full here on John Shaqi.
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