Out in the Forty-Five: Duncan Keith's VowHolt, Emily Sarah
General
Out in the Forty-Five: Duncan Keith's Vow
Holt, Emily Sarah
Christian life -- Juvenile fiction; Conduct of life -- Juvenile fiction; Jacobite Rebellion, 1745-1746 -- Juvenile fiction
I did not quite like the glance which was shot at him just then out of
Cecilia's eyes, nor the look in his which replied. It appeared to me as
if those two were only making game of Amelia, and that they understood
each other. But almost before I had well seen it, Cecilia's eyes were
dropped, and she looked as demure as possible.
"Some folk's eyes don't see things that are there," saith my Aunt Kezia,
"and some folk's eyes are apt to see things that aren't. My Bible tells
me that God hath made everything beautiful in its season. Not out of
its season, you see. Your beautiful self-sacrifice is a means to an
end, not the end itself. And if you make the means into the end, you
waste your strength and turn your action into nonsense. Take the
comparisons Amelia has given us. Your patriot risks death in order to
obtain some good for his country; the mother, that she may save the
child; the physician, that he may cure his patient. What would be the
good of all these sacrifices if nothing were to be got by them? My
dears, do let me beg of you not to be caught by claptrap. There's a
deal of it in the world just now. And silly stuff it is, I assure you.
Self-sacrifice is as beautiful as you please when it is a man's duty,
and as a means of good; but self-sacrifice for its own sake, and without
an object, is not beautiful, but just ridiculous nonsense."
"Then would you say, Aunt Kezia," asked Amelia, "that all those grand
acts of mortification of the early Christians, or of the old monks, were
worthless and ridiculous? They were not designed to attain any object,
but just for discipline and obedience."
"As for the early Christians, poor souls! they had mortifications enough
from the heathen around them, without giving themselves trouble to make
troubles," said my Aunt Kezia. "And the old monks, poor misguided dirty
things! I hope you don't admire them. But what do you mean by saying
they were not means to an end, but only discipline? If that were so,
discipline was the end of them. But, my dear, discipline is a
sharp-edged tool which men do well to let alone, except for children.
We are prone to make sad blunders when we discipline ourselves. That
tool is safer in God's hands than in ours."
"But there is so much poetry in mortification!" sighed Amelia.
"I am glad if you can see it," said my Aunt Kezia. "I can't. Poetry in
cabbage-stalks, eaten with all the mud on, and ditch water scooped up in
a dirty pannikin! There would be a deal more poetry in needles and
thread, and soap and water. Making verses is all very well in its
place; but you try to make a pudding of poetry, and you'll come badly
off for dinner."
"Dinner!" said Amelia, contemptuously.
"Yes, my dear, dinner. You dine once a day, I believe."
"Dear, I never care what I eat," cried Amelia. "The care of the body is
entirely beneath those who have learned to prize the superlative value
of the mind."
Public-domain text, read in full here on John Shaqi.
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