Out of Mulberry Street: Stories of Tenement life in New York CityRiis, Jacob A. (Jacob August)
General
Out of Mulberry Street: Stories of Tenement life in New York City
Riis, Jacob A. (Jacob August)
New York (N.Y.) -- Fiction; Poor -- New York (State) -- New York -- Fiction; Tenement houses -- Fiction
The lights of the Bowery glow like a myriad twinkling stars upon the
ceaseless flood of humanity that surges ever through the great highway of
the homeless. They shine upon long rows of lodging-houses, in which
hundreds of young men, cast helpless upon the reef of the strange city,
are learning their first lessons of utter loneliness; for what desolation
is there like that of the careless crowd when all the world rejoices? They
shine upon the tempter, setting his snares there, and upon the missionary
and the Salvation Army lass, disputing his catch with him; upon the police
detective going his rounds with coldly observant eye intent upon the
outcome of the contest; upon the wreck that is past hope, and upon the
youth pausing on the verge of the pit in which the other has long ceased
to struggle. Sights and sounds of Christmas there are in plenty in the
Bowery. Juniper and tamarack and fir stand in groves along the busy
thoroughfare, and garlands of green embower mission and dive impartially.
Once a year the old street recalls its youth with an effort. It is true
that it is largely a commercial effort--that the evergreen, with an
instinct that is not of its native hills, haunts saloon-corners by
preference; but the smell of the pine-woods is in the air, and--Christmas
is not too critical--one is grateful for the effort. It varies with the
opportunity. At "Beefsteak John's" it is content with artistically
embalming crullers and mince-pies in green cabbage under the window lamp.
Over yonder, where the mile-post of the old lane still stands,--in its
unhonored old age become the vehicle of publishing the latest "sure cure"
to the world,--a florist, whose undenominational zeal for the holiday and
trade outstrips alike distinction of creed and property, has transformed
the sidewalk and the ugly railroad structure into a veritable bower,
spanning it with a canopy of green, under which dwell with him, in
neighborly good-will, the Young Men's Christian Association and the
Gentile tailor next door.
In the next block a "turkey-shoot" is in progress. Crowds are trying their
luck at breaking the glass balls that dance upon tiny jets of water in
front of a marine view with the moon rising, yellow and big, out of a
silver sea. A man-of-war, with lights burning aloft, labors under a rocky
coast. Groggy sailormen, on shore leave, make unsteady attempts upon the
dancing balls. One mistakes the moon for the target, but is discovered in
season. "Don't shoot that," says the man who loads the guns; "there's a
lamp behind it." Three scared birds in the window-recess try vainly to
snatch a moment's sleep between shots and the trains that go roaring
over-head on the elevated road. Roused by the sharp crack of the rifles,
they blink at the lights in the street, and peck moodily at a crust in
their bed of shavings.
Public-domain text, read in full here on John Shaqi.
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